| The breathless, fleeing girl, hair streaming and clothing in flames, summarizes some of Tanning’s most persistent themes. The ambiguity of the figure half-clothed and half-naked suggests a state of metamorphosis. The running figure's forward thrust is stopped short by a brick wall that swallows her forearms, as in a nightmare. Tanning had fled Paris on the brink of war in 1939, and she returned in 1949 to a devastated city. Yet the meaning of this image is not clear, because, as the artist explained: "My work is about the enigmatic, about leaving the door open to imagination." |