| In 1986 Teraoka met an old friend who had become infected with AIDS as a result of a blood transfusion and who had a newborn baby. Teraoka sought to draw attention to the social issues raised by this modern plague. By imitating the traditional style of Ukiyo-e, the "floating world" of nineteenth-century Japanese painting and woodblock prints, he transformed the anxiety of contemporary life into a kind of Kabuki theater. |