| Jackson took this image of the West’s most famous gorge when he no longer traveled for government survey teams, but, instead, had opened his Denver studio. This mammoth-plate photograph, called so because the glass-plate negative on which the image was made was nearly two feet high, was intended to be hung on a wall or displayed in an album. The strong dark form on the left frames the canyon walls and receding river beyond, creating a harmony which would be the envy of most landscape painters. |