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A summer resident of Provincetown, Boris Margo created in 1940 more than fifty monotypes, many of which became the basis for later paintings. Working in a beach hut, surrounded by nature, he applied ink to the plate with broad strokes suggesting the dunes, sea, and sky. For Margo, the monotype served as a window into his imagination, tapping his unconscious thoughts and inviting chance effects that helped him develop abstract, surreal imagery. |
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Introduction | The Monotype Process Video | Index | Collections & Exhibitions |
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