Multiplicity
Chuck Close, Self Portrait, 2000, color screenprint on paper, Smithsonian American Art Museum,Museum purchase 2000.53.
Multiplicity features 83 works from the museum’s permanent collection by such outstanding contemporary artists as John Baldessari, John Cage, Vija Celmins, Chuck Close, R. Luke DuBois, Sol LeWitt, Brice Marden, Julie Mehretu, Martin Puryear, Susan Rothenberg, Kiki Smith, and Kara Walker. The concept of making multiple images from the same matrix has been integral to printmaking ever since the earliest prints were pulled from woodblocks and metal plates in the fifteenth century. Each impression is considered to be an original work of art.
Description
Many of the artists in this exhibition have expanded the idea of multiplicity beyond editions of identical impressions by creating series, sequences, and images that comprise numerous parts. They explore repetition, pairing, and variations on a theme as artistic strategies. Implicit in their exploration of multiplicity is a challenge to rarity and uniqueness as determinants of value.
This exhibition brings together a selection of prints by artists for whom the concept of multiplicity in its many forms provides a touchstone for their artistic expression. These prints are the result of collaboration between the artist and professional printers who help realize the artist’s vision. They question the authority of the unique masterpiece and alter the stereotype of the artist working alone in the studio.
Nearly half of the prints included in the exhibition are recent acquisitions. Joann Moser, senior curator, selected the works for display.
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Artists
John Baldessari was born in National City, on San Diego Bay in California in 1931. He enrolled at San Diego State College in 1949 and received his BA in painting in 1953. He also studied at Berkeley in 1953.
Chuck Close was born in Monroe, Washington, in 1940 and received a BA degree from the University of Washington in Seattle in 1962.
Sol LeWitt was a leader in the growth of conceptual art during the 1960s and 1970s. This was a reaction to the emotional qualities of abstract expressionism, and focused on the ideas behind the art as opposed to the actual objects.
One of the most important American sculptors working today, Martin Puryear (born 1941) is known for refined, handmade constructions, primarily in wood. Puryear's abstract forms, while evocative and familiar, elude specific or singular interpretations.
