William H. Johnson's Fighters for Freedom series from the mid-1940s is a tribute to African American activists, scientists, teachers, and performers as well as international leaders working to bring peace to the world.
This focused exhibition pairs two projects by Carrie Mae Weems—a major multimedia installation and a series of photographs—that revisit moments from history.
The exhibition Composing Color: Paintings by Alma Thomas provides an intimate view of Alma Thomas’ evolving artistic practices during her most prolific period from 1959 to her death in 1978.
This focused exhibition pairs artwork by two Black artists working in the mid-nineteenth century—photographer J. P. Ball and painter Robert S. Duncanson.
Ideas about the American West, both in popular culture and in commonly accepted historical narratives, are often based on a past that never was, and fail to take into account important events that actually occurred.
Artists Joe Feddersen (Arrow Lakes/Okanagan), Lily Hope (Tlingit), Ursala Hudson (Tlingit), Erica Lord (Athabaskan/Iñupiat), Geo Neptune (Passamaquoddy), and Maggie Thompson (Fond du Lac Ojibwe) present a fresh and nuanced vision of Native American art.
We Are Made of Stories: Self-Taught Artists in the Robson Family Collection traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, their creativity and
Step into a floral oasis in the Kogod Courtyard with Orchids: Hidden Stories of Groundbreaking Women, an exhibition that unearths stories of women who have enriched the understanding and appreciation of orchids.
New Glass Now documents the innovation and dexterity of artists, designers, and architects from around the world working in the challenging material of glass.
This exhibition brings to life the Venetian glass revival of the nineteenth century on the famed island of Murano and the artistic experimentation the city inspired for artists such as John Singer Sargent and James McNeill Whistler.
Welcome Home: A Portrait of East Baltimore, 1975-1980 captures a cross-section of East Baltimore residents and businesses in the 1970s, documenting the community’s history and diversity.
The groundbreaking exhibition Alexander von Humboldt and the United States: Art, Nature, and Culture reveals how the influential naturalist and explorer Alexander von Humboldt (1769-1859) shaped American perceptions of nature and the way American
This focused installation features recently acquired photographs by Dawoud Bey in conversation with a painting by William H. Johnson that refer to the Underground Railroad.
Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art’s engagem
Japanese-born artist Chiura Obata’s seemingly effortless synthesis of different art traditions defies the usual division between “East” and “West.” This exhibition presents the most comprehensive survey of his rich and varied body of work to date, from bo
Picturing the American Buffalo: George Catlin and Modern Native American Artists examines representations of buffalo and their integration into the lives of Native Americans on the Great Plains in the 1830s and in the twentieth century.
In his delicately rendered sculptures in clay, glass, and metal, Michael Sherrill seeks to elicit a sense of wonder from viewers, and to make them see the natural world anew.
Populated with toy cowboys and cavalry, Barbie dolls and baseball players, David Levinthal’s photographs reference iconic images and events that shaped postwar American society.
Through maps, videos, and paintings that highlight the voices and stories of former Vietnamese refugees, Tiffany Chung probes the legacies of the Vietnam War and its aftermath.
Artists Respond: American Art and the Vietnam War, 1965-1975 makes vivid an era in which artists endeavored to respond to the turbulent times and openly questioned issues central to American civic life.
Orchids: Amazing Adaptations is a joint collaboration with SAAM, the National Portrait Gallery, Smithsonian Gardens, and the U.S. Botanic Garden. This installation fills the museums’ courtyard with hundreds of orchids of stunning variety.
Disrupting Craft presents the work of Tanya Aguiñiga, Sharif Bey, Dustin Farnsworth, and Stephanie Syjuco, four artists who challenge the conventional definitions of craft by imbuing it with a renewed sense of emotional purpose, inclusiveness, and activis