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Wherever you see this icon throughout the site, clicking on it will display a list of photographs for a particular theme. Select any one.
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Click on one of the following images to explore a particular theme in the Smithsonian American Art Museum's photography collection.
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The invention of photography coincided with a period of great commercial
growth and industrialization in the United States. These
photographs prove that industry made work for photography, but
certainly, photography spurred the success of the commercial it documented
and advertised.

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With the invention of the daguerreotype and the advancements of photography
thereafter, portraiture has become extremely accessible to all who
desire to have their likeness preserved, unlike when only the upper
classes could afford to commission a painted portrait. The photographs
in this selection
were taken for as many different purposes. There are studio portraits,
documentary portraits, and candid portraits--each capturing some uniquely
personal aspect of the sitter, whether we know who they are or not.

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"Picturesque" describes a particular
type of landscapes and was first associated with European painting
in the late 18th and early 19th century. The term applies to depictions
of nature which are vividly striking , evoking awe and amazement in
the viewer. American landscape painters such as Frederic Church, Albert
Bierstadt and Thomas Moran, as well as photographers such as Carleton
Watkins, Albert Bierstadt and Eadweard Muybridge, popularized this
idea through their stunning, expansive views of our country; areas
which had never been seen before by the most Americans. The photographs
of popular, distinctly American landmarks such as Niagara Falls and
Yosemite, which were even more awe-striking since they were taken
from life, confirmed the painted grandure of America. 

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