Luce Foundation Center for American Art
Painting: 19th century: Untitled (moon over a harbor, wharf scene with full moon and masts of boats)
Edward Mitchell Bannister
(born St. Andrews, New Brunswick, Canada 1828 -- died Providence, RI 1901)
"All that I would do I cannot . . . but with God's help I hope to deliver the message he entrusted to me." Edward Mitchell Bannister, "Reminiscences of Providence Artists," in Whitaker, Providence Magazine, The Board of Trade Journal, 1914
Edward Mitchell Bannister was one of the few African American painters of the nineteenth century to win significant recognition. He grew up on the coast in New Brunswick, and spent several months working as a ship's cook. He lost both his parents when he was young and moved to Boston, where he took sculpture classes and learned photography. Bannister faced an uphill battle to become a professional artist. In 1867 the New York Herald stated that "the Negro seems to have an appreciation of art" but went on to assert that blacks were "manifestly unable to produce it" (Driskell, Two Centuries of Black American Art, 1976). Bannister decided to prove the article wrong and in 1876 achieved his goal when one of his paintings won a medal at the Philadelphia Centennial Exposition. When he arrived to claim his prize, however, he was refused entry because he was black. Bannister was a founder and member of the Providence Art Club and was an original board member of the Rhode Island School of Design.
Image Credits: National Portrait Gallery, Smithsonian Institution; gift of Sandra and Jacob Terner