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Painting: 20th century: #17, 1966
#17, 1966

#17, 1966
John McLaughlin
oil on canvas
48 x 60 in. (121.8 x 152.4 cm.)
Smithsonian American Art Museum, Gift of Mr. Sterling Holloway
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"Perhaps the most distinguishing feature of my painting is that I develop the composition by using rectangles exclusively." (Letter to Jules Langsner, April 27, 1959. John McLaughlin Papers, Archives of American Art, Smithsonian Institution)

John McLaughlin's #17, 1966 is an example of the Hard-edge painting style that was popularized by a number of California artists in the 1960s. The stark palette and geometric composition highlight the contrast between the broad brushstrokes of matte black paint and the narrow brushstrokes of glossy white. McLaughlin's paintings evoke the works of artists such as Kazimir Malevich and Piet Mondrian, but he always emphasized his artistic connection to Asia, particularly Japanese art. He favored Asian paintings because "they made me wonder who I was. By contrast, Western painters tried to tell me who they were." McLaughlin believed that his paintings evoked Asian philosophical ideals and could encourage enlightenment in the viewer. (Charles Desmarais, "A New Kind of Heroism: [John] McLaughlin's #17, 1966," American Art 7, no. 1 (Winter 1993): 97-98; Michael Duncan, "John McLaughlin: Transcending the Particular," Art in America (Sept. 1997): 84-87)

This painting is currently on view on the third floor of the Museum in the Contemporary Art galleries.

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To follow up: had an awmseoe time at the getty, did a video of it too!! watched your video again and it was A LOT different watching it a second time after I had been there! its amazing how much more of a sense of location one gets after visiting, I could now tell where you were filming found out I also happened to record similar clips that you did :)-Stu

Posted by Laurne from QiBPmcAvMq October 23, 2012


what are the time for the crafts

Posted by julie gem from May 15, 2012

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