A journal of the nation’s visual heritage
Since its founding in 1987, American Art has been an indispensable resource for scholars, collectors, and museum-goers who want to enrich their understanding of the nation’s art and culture. American Art encompasses all aspects of the country’s visual heritage from colonial to contemporary times. Elegant color plates give the journal a distinctive appearance, and the articles are written in an engaging style.
The Spring 2017 issue includes the following:
- Art and Destruction, a set of themed commentaries by Wendy Bellion, Jo Applin, Valerie Hegarty, Debra Hess Norris, and Jennifer Jae Gutierrez
- Discovering Davies-Land: Arthur B. Davies in the West, 1905, by Charles C. Eldredge
- Claggett Wilson: The War Portfolio of 1919, by David Lubin
- Thoughts of Haiti, Thoughts of Liberia: The Shifting Titles and Interpretations of Edwin White’s Thoughts of the Future, by Lindsay J. Twa
- Constructing a Reputation: Achille Segard’s 1913 Biography of Mary Cassatt, by Hadrien Viraben
- Environmental Abstraction and the Polluted Image, by James Nisbet
A one-year subscription for individuals costs $50, and provides full online access to all back issues of American Art. Members of Friends of the Smithsonian, Smithsonian National Associates, American Studies Association, and the College Art Association receive subscriptions at the discounted price of $40. The rate for students is $35. Higher rates apply for institutions.
For information on subscribing, purchasing single issues, or submitting articles to the journal, which is published for the museum by the University of Chicago Press, please visit http://www.journals.uchicago.edu/amart. This link also acts as a portal to the electronic edition of the journal.
For information on a publication prize for foreign scholars, please see the Terra Foundation for American Art International Essay Prize.