Betye Saar was born in Pasadena, California. During visits to her grandmother in the Los Angeles neighborhood of Watts, she watched as the fantastic Watts Towers were slowly being constructed by Simon Rodia out of broken glass, bottle tops, and other junk.
|Sahlstrand, Margaret Ahrens|
|Saint-Phalle, Niki de|
|Saltzman, Mary P. E.|
|Sandlin, Red Weldon|
Belgian-born sculptor. Sardeau studied in the United States with Mahonri Young and exhibited internationally. Contemplation, serenity and humanism were often conveyed in her work.
|Sauter, Mary S.|
"I have created nothing really beautiful, really lasting, but if I can inspire one of these youngsters to develop the talent I know they possess, then my monument will be in their work."—T. R. Poston, "Augusta Savage," Metropolitan Magazine, Jan. 1935, n.p.
|Savart, M. R.|
|Schanz, Joanna E.|
|Scherr, Mary Ann|
Marjorie Schick's work is rooted in the European jewelry revolution of the 1960s when innovators, rejecting the traditional materials, techniques, and social meanings of Western jewelry, began to employ the entire human frame—not just a finger, neck, or wrist—as a point of artistic de