King Cophetua and the Beggar Maid

Albert Pinkham Ryder, King Cophetua and the Beggar Maid, by 1906 or 1907, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.99
Copied Albert Pinkham Ryder, King Cophetua and the Beggar Maid, by 1906 or 1907, oil on canvas mounted on fiberboard, 24 1218 in. (62.245.7 cm), Smithsonian American Art Museum, Gift of John Gellatly, 1929.6.99
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Artwork Details

Title
King Cophetua and the Beggar Maid
Date
by 1906 or 1907
Dimensions
24 1218 in. (62.245.7 cm)
Credit Line
Gift of John Gellatly
Mediums
Mediums Description
oil on canvas mounted on fiberboard
Classifications
Keywords
  • Figure group
  • Landscape — water
  • Occupation — other — aristocrat
  • Animal — horse
  • Literature — Percy — Reliques of Ancient English Poetry
Object Number
1929.6.99

Artwork Description

King Cophetua and the Beggar Maid may have been commissioned by the art collector John Gellatly, who was an enthusiastic supporter of contemporary American art around the turn of the twentieth century. Albert Pinkham Ryder worked on this painting for more than five years, and x-rays of the canvas show that it was painted over two other images. Ryder was inspired by the story of King Cophetua from an Elizabethan ballad that tells of love overcoming all odds. In the tale, a king of Africa falls in love with a beautiful young beggar maid and marries her, despite her lowly status. Ryder was a hopeless romantic and believed wholeheartedly in love at first sight. In this painting he chose the scene when the king first notices the young girl to show that people’s lives could change in just one moment. (Broun, Albert Pinkham Ryder, 1989)