Butler’sembellished home and property manifested practices that, by way of Africa,survived in the Americas. One such Black Atlantic tradition was the “yardshow,” a personal place where benevolent spirits are welcomed, evil spirits arerebuffed, and ancestors are honored. Into metal panels of various sizes, Butlerincised silhouetted forms, painted them, and affixed some of them over thewindows of his home. As the sun’s light traveled across the yard, it reachedthrough the cut-out patterns, creating a reverse shadow puppet – like effect. Withinthe house, the illuminated shapes appeared bright against the darkened negativespaces, and a sunlit narrative crawled across the shadowed walls as the daywent on. Butler often depicted Christian themes, but he also reached into hisdreams and imagination, and found the unexpected.
(We Are Made of Stories:Self-Taught Artists in the Robson Family Collection, 2022)
- Title
-
Untitled (Three Wise Men and a Goat)
- Artist
- Date
- 1965
- Location
- Not on view
- Dimensions
- 13 3⁄4 × 42 1⁄8 × 2 1⁄8 in. (34.9 × 107.0 × 5.4 cm)
- Credit Line
-
Smithsonian American Art Museum
The Margaret Z. Robson Collection, Gift of John E. and Douglas O. Robson
- Mediums Description
- paint on cut sheet metal
- Classifications
- Keywords
-
- Animal – goat
- Figure group – male
- Abstract
- Object Number
-
2016.38.10
- Palette
- Linked Open Data
- Linked Open Data URI