X post facto (5.6), from the series X post facto (équis anónimo)

  • Muriel Hasbun, X post facto (5.6), from the series X post facto (équis anónimo), 2009, printed 2013, inkjet print, Smithsonian American Art Museum, © 2009, Muriel Hasbun, Gift of the artist in memory of her parents, Janine Janowski and Antonio Hasbun Z., 2013.33

Exhibition Label
Born in El Salvador to a French mother with a Polish Jewish background and a father whose Palestinian Christian parents settled in Central America shortly before World War I, Hasbun has focused on issues of identity and memory throughout her career. The X post facto (équis anónimo) series is based on an archive of x-rays Hasbun discovered in her father’s office. As a dentist, he was often asked to use his archive to identify bodies of the disappeared, victims of the violence of civil war, sometimes members of his own family. For Hasbun, her re-imagined x-ray photographs, made by enlarging and reprinting the original negatives, are documents turned into metaphors of complex lives and social histories.


A Democracy of Images: Photographs from the Smithsonian American Art Museum, 2013
Title
X post facto (5.6), from the series X post facto (équis anónimo)
Artist
Date
2009, printed 2013
On View
Not on view.
Dimensions
image: 40 1/2 x 31 1/2 in. (102.9 x 80.0 cm)
sheet: 44 x 35 1/2 in. (111.8 x 90.2 cm)
Credit Line

Smithsonian American Art Museum

Gift of the artist in memory of her parents, Janine Janowski and Antonio Hasbun Z.

Mediums Description
inkjet print
Classifications
Keywords
  • Abstract
Object Number
2013.33
Palette
Linked Open Data
Linked Open Data URI