May 2016

  • Renwick Gallery: Four WONDER Installations Closing Sunday

    Like all good things, WONDER, the most talked-about, Instagrammed, and wondrous exhibition is nearing the end of its record-breaking run. Sunday, May 8, is your last chance to see four installations on the second floor—Maya Lin's Folding the Chesapeake, Jennifer Angus' In the Midnight Garden, John Grade's Middle Fork, and Chakaia Booker's Anonymous Donor.
  • Curator's Travel Journal: In Rufino Tamayo's Footsteps (5)

    E. Carmen Ramos, curator of Latino Art at SAAM was recently in Mexico to research her upcoming exhibition on the acclaimed 20th-century Mexican artist Rufino Tamayo's lengthy residence and production in New York City, Tamayo: The New York Years. This is the fifth in a series of posts Carmen scribed from the road. Stay tuned for more updates. Read all of Carmen's notes from her research trip.
  • Luce Unplugged: 5 Questions (Plus One) with Beauty Pill

    It's time for another Luce Unplugged Community Showcase, and we couldn't be more excited to team up with Washington City Paper to present Beauty Pill, next Friday, May 20th from 6 to 8 p.m. If you aren't familiar with this beloved D.C. band, check out their 2015 album Beauty Pill Describes Things as They Are.
    Amelia on May 12, 2016
  • SAAM Acquires Six Major Works by Bill Traylor

    The Smithsonian American Art Museum just acquired six major works by Bill Traylor, an artist who was born into slavery around 1853-54, and first began his creative life as an elderly man, after living and working primarily as a sharecropper.
  • May's Handi-Hour at the Renwick

    For May's Handi-hour at the Renwick Gallery you'll start by making your own loom using scrap cardboard from all those Amazon boxes you have lying around.
  • Seeing Things (16): Time and the Photographic Image

    Photography has a way with time. Two works of art, both photographic series currently on view, speak to each other in a poignant dialogue without words. In the Lincoln Gallery, on SAAM's third floor, Nicholas Nixon's The Brown Sisters can be seen on the wall adjacent to Camilo José Vergara's series 10828 S. Avalon Blvd., LA, a work whose compression is echoed in the title's insistence on abbreviations.