December 2016

  • Photography Encouraged: Noguchi Edition

    Today, we begin a periodic series of photos visitors take in our galleries where, with many exhibitions, photography is encouraged. In my daily dive into our social media interactions, I take note of the unique ways you, our visitors, capture your experience in SAAM and the Renwick Gallery.
    Amy on December 1, 2016
  • Movies at SAAM: Winter Edition

    Please join us for "Movies at SAAM's" winter season of films about American art and artists. If you enjoy learning about the creative process, history of African American photography, and contemplating the nature of great art, then you're sure to enjoy what we have in store for you.
    Ryan on December 7, 2016
  • Conversation Piece: Martin Puryear's Vessel

    Each month, visitors to SAAM are invited to participate in a discussion-based program called Conversation Pieces. Spending an hour with a single work of contemporary art, participants engage in an open-ended experience of guided looking and discussion facilitated by Joanna Marsh, Senior Curator of Contemporary Interpretation.
  • Director's Choice: Who Made the Cut, Part II

    n honor of Elizabeth "Betsy" Broun's nearly thirty years at the helm of the Smithsonian American Art Museum and her imminent retirement, Broun spoke to a full house at the McEvoy Auditorium this past October, revealing insights and personal observations about her favorite works of art in SAAM's collection. And since she's the director, her Top Ten contains eighteen artworks. Last month, we posted the first part of her "Top Ten." Today, we are posting the rest on her list of favorites.
  • Betsy Broun’s Vision: An Appreciation

    I have worked my entire professional life knowing only one boss, Betsy Broun. She retired yesterday after nearly 30 years at the helm of the Smithsonian American Art Museum. So I've been taking stock of her vision for the museum and how the ways we connect with people to tell stories of art in a citizen democracy are tied to her ideas about American art and contemporary society.
    Laura on December 15, 2016
  • Guest Curator Dakin Hart Speaks About the Work of Isamu Noguchi

    On December 1, Dakin Hart, senior curator of The Noguchi Museum and co-curator of Isamu Noguchi, Archaic/Modern gave a talk at SAAM on the themes of the exhibition. As Hart navigates Noguchi's visionary work, he looks at the artist's ability to take inspiration from the ancient and the modern to create abstract and timeless works.
    Amy on December 22, 2016
  • Isamu Noguchi: Watering the Art

    Objects conservators have a challenging job. On any given day Ariel O'Connor, an art object conservator at SAAM, might be asked to research, examine, document, and treat works of art made with bronze, wood, plastic, stone, plaster, glass, and many, many other types of materials. The recently-opened Isamu Noguchi exhibition Isamu Noguchi, Archaic/Modern perfectly exemplifies this material diversity, with sculptures ranging from heavy stone obelisks to feather-light delicate bamboo and paper lanterns. Even with years of training and experience, one sculpture is proving to be a unique challenge for Ariel: a 3,000 pound basalt stone fountain titled The Well.