It all began with a challenge, exactly one year ago. The National Museum of Women in the Arts posed a question and the goal was simple: get people talking about women artists.
- If you have visited SAAM's folk and self-taught art galleries since they re-opened in October, you probably encountered Emery Blagdon's wondrous Healing Machine, an installation of individual paintings and found-material sculptures suspended from the ceiling. While many museum visitors are moved by The Healing Machine, Blagdon's work found a new life this winter in an elementary school about two miles from the SAAM.
- On March 9 from 5:30-7 p.m, The Galaxy Electric, a psychedelic pop band filled with bossa nova and tribal rhythms, will play at the Luce Foundation Center's Luce Unplugged. In partnership with D.C. Music Download, this free, monthly concert series features the best of D.C.'s local music scene.
- Join SAAM for a very special Wikipedia Edit-a-Thon on Saturday, March 25, 2017.
- From March to May, "Movies at SAAM" will screen five eye-opening films about American art. All films will be shown on selected Saturdays at the museum's McEvoy Auditorium, beginning at 3 p.m.
- Over the course of half a century, Noguchi and Graham closely collaborated on numerous set designs for her groundbreaking modern dances. They held each other in the highest regard—Noguchi once said, "I felt that I was an extension of Martha and that she was an extension of me," while Graham described sharing "an unspoken language" with the sculptor.
- As often as art conservators do a standard treatment on a work of art in our collection, there is always an opportunity to learn a new approach to solving a challenging task. In the case of Gene Davis: Hot Beat (closing April 2, 2017), paintings conservator Amber Kerr coordinated with staff members from our design and registrar teams to manage the conservation treatments for several extremely large canvas paintings. Each had been rolled in storage for years.
- For more than a year, Janet Echelman's woven sculpture 1.8 Renwick has beckoned people into the Grand Salon. Suspended high above, the billowing nets transform the space. At once an artwork and an experience, people walk around the room as colors projected on the hand-knotted nets shift, or stretch out on the floor for a new view and a moment of peace.
- Before Betsy Broun retired from the helm of the Smithsonian American Art Museum last fall, she gave a talk where she revealed her top ten works (ok, seventeen works) of art in the collection, beginning with Albert Pinkham Ryder's Jonah. Ryder, who died one hundred years ago today, was an artist close to Broun's heart and the subject of a book she published in 1989.