March 2017

  • Can You Name #5WomenArtists?

    It all began with a challenge, exactly one year ago. The National Museum of Women in the Arts posed a question and the goal was simple: get people talking about women artists.
    Amy on March 1, 2017
  • A Healing Machine for the Elementary School Classroom

    If you have visited SAAM's folk and self-taught art galleries since they re-opened in October, you probably encountered Emery Blagdon's wondrous Healing Machine, an installation of individual paintings and found-material sculptures suspended from the ceiling. While many museum visitors are moved by The Healing Machine, Blagdon's work found a new life this winter in an elementary school about two miles from the SAAM.
  • Luce Unplugged: Five Questions (+2) with The Galaxy Electric

    On March 9 from 5:30-7 p.m, The Galaxy Electric, a psychedelic pop band filled with bossa nova and tribal rhythms, will play at the Luce Foundation Center's Luce Unplugged. In partnership with D.C. Music Download, this free, monthly concert series features the best of D.C.'s local music scene.
  • Movies at SAAM Continues This Spring

    From March to May, "Movies at SAAM" will screen five eye-opening films about American art. All films will be shown on selected Saturdays at the museum's McEvoy Auditorium, beginning at 3 p.m.
    Ryan on March 9, 2017
  • Martha Graham and Isamu Noguchi: Cave of the Heart Dance Performance

    Over the course of half a century, Noguchi and Graham closely collaborated on numerous set designs for her groundbreaking modern dances. They held each other in the highest regard—Noguchi once said, "I felt that I was an extension of Martha and that she was an extension of me," while Graham described sharing "an unspoken language" with the sculptor.
    Jeff on March 15, 2017
  • Art Conservation: Stretching a Very Large Gene Davis Painting

    As often as art conservators do a standard treatment on a work of art in our collection, there is always an opportunity to learn a new approach to solving a challenging task. In the case of Gene Davis: Hot Beat (closing April 2, 2017), paintings conservator Amber Kerr coordinated with staff members from our design and registrar teams to manage the conservation treatments for several extremely large canvas paintings. Each had been rolled in storage for years.
  • The Renwick Gallery and the Space in Between

    For more than a year, Janet Echelman's woven sculpture 1.8 Renwick has beckoned people into the Grand Salon. Suspended high above, the billowing nets transform the space. At once an artwork and an experience, people walk around the room as colors projected on the hand-knotted nets shift, or stretch out on the floor for a new view and a moment of peace.
    Amy on March 23, 2017
  • Ryders on the Storm: Celebrating the Art of Albert Pinkham Ryder

    Before Betsy Broun retired from the helm of the Smithsonian American Art Museum last fall, she gave a talk where she revealed her top ten works (ok, seventeen works) of art in the collection, beginning with Albert Pinkham Ryder's Jonah. Ryder, who died one hundred years ago today, was an artist close to Broun's heart and the subject of a book she published in 1989.