How’d He Do That? A Behind-the-Scenes Look at Lumia

A study of light with green, orange, red, an yellow tones.

Thomas Wilfred, Lumia Suite, Op. 158, 1963–64. Projectors, reflector unit, electrical and lighting elements, and a projection screen; approx. 9 yrs., 127 days, 18 hrs. Museum of Modern Art, New York, Mrs. Simon Guggenheim Fund, 582.1964. Photo: Courtesy Yale University Art Gallery 

Scott
December 28, 2017

 

Scott Rosenfeld is a Lighting Designer at the museum. This post is part of an occasional series where SAAM experts take you behind-the-scenes as they investigate a work of art.

The exhibition, Lumia: Thomas Wilfred and the Art of Light, gives visitors a rare look at the artworks created by Thomas Wilfred that use light as their medium. I was fortunate to work with Eugene and A.J. Epstein, passionate collectors of Lumia, during the installation period to learn how Wilfred choreographed these dazzling displays of colored light. I was particularly impressed with Wilfred’s signature artist mark: the projection of a lightbulb’s filament. I decided to see what I could uncover, and am excited to share this short video that demonstrates what is happening behind Wilfred's magical and mysterious Lumia screens.

 

 

Your last chance to see Wilfred’s work in person is January 7, 2018, when the exhibition must close!

Categories

Recent Posts

Detail of an illustration showing a person wearing glass art standing in front of a slatted fence. The text says "Border Stories."
03/27/2024
Celebrating the renowned artist whose community-based practice involves interactions at the border.
A detail of a painting showing five women and the institutions they built.
Johnson offers historical insights and fresh perspectives of legendary women alongside less well-known changemakers
SAAM
Detail of an artwork showing children holding an American flag.
An item that most people carry in their pockets is key to experiencing Hank Willis Thomas's Pledge.
SAAM