Mexican American artist Rufino Tamayo (1899-1991) is best known for his boldly-colored, semi-abstract paintings.

Norman Rockwell’s pictures tell stories—of children growing up and of couples growing old—that make us laugh with warmhearted recognition. Rockwell was a master humorist with an infallible sense of the dramatic moment.

This full-color catalogue provides a rare insight into a stunning private collection of American Art. Hugh and Marie Halff, connoisseurs based in San Antonio, Texas, have read, studied, and traveled widely in their quest.

The Great American Hall of Wonders is a vividly illustrated survey of the American ingenuity that energized all aspects of nineteenth-century society, from the painting of landscapes and scenes of everyday life to the planning of scientific expedition and the development of new mechanica

The six artists whose earthy, urban subjects led critics to call them the “Ashcan School” are featured in this book. The authors document how closely the work of these artists reflected current events and social concerns at the turn of the century.

During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists.

The American Art Forum, a small group of collectors from across the United States, was begun twenty years ago by Charles C. Eldredge while he was director of the Smithsonian American Art Museum.

Modern Masters: American Abstraction at Midcentury features more than thirty artists who transformed American art in the years after World War II. Seventy artworks from the Smithsonian American Art Museum, reproduced in full color, convey the dynamism and raw energy of the period.

Artist George Catlin journeyed west five times in the 1830s, traversing the Great Plains and visiting more than 140 American Indian tribes. In hundreds of canvases, Catlin recorded the lifeways of Plains Indians, including illustrating massive herds of buffalo and their importance in daily life.

The Civil War redefined America and forever changed American art. The war’s grim reality, captured through the new medium of photography, was laid bare. American artists could not glamorize the hero on the battlefield.

In the 1920s, inspired perhaps by the particular light and quality of Gloucester, Massachusetts, Edward Hopper began painting watercolors. He has been celebrated since then as one of the most eloquent of America’s realists.

In eighty-eight striking paintings and sculptures, Crosscurrents captures modernism as it moved from early abstractions by O’Keeffe, to Picasso and Pollock in midcentury, to pop riffs on contemporary culture by Roy Lichtenstein, Wayne Thiebaud, and Tom Wesselmann—all illustrating the com