Painting — Museum Books

An Impressionist Sensibility: The Halff Collection

This full-color catalogue provides a rare insight into a stunning private collection of American Art. Hugh and Marie Halff, connoisseurs based in San Antonio, Texas, have read, studied, and traveled widely in their quest.

Edward Hopper: The Watercolors

In the 1920s, inspired perhaps by the particular light and quality of Gloucester, Massachusetts, Edward Hopper began painting watercolors. He has been celebrated since then as one of the most eloquent of America’s realists.

The Civil War and American Art

The Civil War and American Art looks at the range of artwork created in the years between 1852 and 1877. Author Eleanor Jones Harvey surveys paintings made by some of America’s finest artists, including Frederic Edwin Church, Sanford Gifford, Winslow Homer, and Eastman Johnson, and photographs taken by George Barnard, Alexander Gardner, and Timothy O’Sullivan.

George Catlin’s American Buffalo

Artist George Catlin journeyed west five times in the 1830s, traversing the Great Plains and visiting more than 140 American Indian tribes. In hundreds of canvases, Catlin recorded the lifeways of Plains Indians, including illustrating massive herds of buffalo and their importance in daily life. In George Catlin’s American Buffalo, Adam Duncan Harris considers forty of Catlin’s paintings and the artist’s role as an early proponent of wilderness conservation and the national park idea, and how that advocacy remains relevant today—to the Great Plains, the buffalo, and land use.

Modern Masters: American Abstraction at Midcentury

Modern Masters: American Abstraction at Midcentury features more than thirty artists who transformed American art in the years after World War II. Seventy artworks from the Smithsonian American Art Museum, reproduced in full color, convey the dynamism and raw energy of the period. Photographs and biographical details provide intimate portraits of Richard Diebenkorn, Hans Hofmann, Franz Kline, Joan Mitchell, Robert Motherwell, Louise Nevelson, and others who explored powerful color and the nuance of line.

1934: A New Deal for Artists

During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists.

Metropolitan Lives: The Ashcan Artists and Their New York

The six artists whose earthy, urban subjects led critics to call them the “Ashcan School” are featured in this book. The authors document how closely the work of these artists reflected current events and social concerns at the turn of the century.

The Great American Hall of Wonders

The Great American Hall of Wonders is a vividly illustrated survey of the American ingenuity that energized all aspects of nineteenth-century society, from the painting of landscapes and scenes of everyday life to the planning of scientific expedition and the development of new mechanica