Mexican American artist Rufino Tamayo (1899-1991) is best known for his boldly-colored, semi-abstract paintings.

Sculptor Isamu Noguchi (1904–1988) made works that “speak of both the modern and the ancient in the same breath.” An essay by Dakin Hart traces themes in Noguchi’s sixty-year career—an expansive vision that ranged from landscape art to garden and playground designs, from sculptures featuring plan

Painter, photographer, and printmaker Yasuo Kuniyoshi immigrated to the United States from Japan in 1906 and began a journey through New York City, Europe, and Japan that forged his unique painting style.

The year was 1830, and the American West was entering a phase of rapid transformation. Passage of the Indian Removal Act commenced the twelve-year migration of American Indians from lands east of the Mississippi River.

Visions and Revisions celebrates the work of four contemporary craft artists—Steven Young Lee, Kristen Morgin, Jennifer Trask, and Norwood Viviano. Artworks from each artist defy expectations as they meditate on decline and decay, resilience and rebirth.

For more than sixty years, June Schwarcz (1918–2015) advanced the art of enameling—fusing glass to metal through a high-temperature firing process—while creating works that combine rich textures and luminous color.

A Revolution in Wood celebrates the gift of sixty-six pieces of turned and carved wood to the Renwick Gallery by the distinguished collectors Fleur and Charles Bresler.

History in the Making: Renwick Craft Invitational 2011 features four extraordinary artists whose work explores the deep roots of contemporary American craft and decorative arts.

An American painter usually associated with the precisionist movement, George Copeland Ault (1891–1948) created works that provide a unique window onto the uncertainty and despair of the Second World War.