Internationally recognized as the “father of video art,” Korean-born artist Nam June Paik (1932–2006) transformed twentieth-century art. His innovative media-based artwork was grounded in avant-garde music and performance art, which he used to expand video and television as artistic expressions.

Arte Latino: Treasures from the Smithsonian American Art Museum commemorates Treasures to Go, a series of eight exhibitions from the Smithsonian American Art Museum, touring the nation through 2002.

African American Art: Harlem Renaissance, Civil Rights Era, and Beyond offers a rich vision of twentieth-century visual culture.

This in-depth look at a renowned collection, ranging from bottlecap giraffes and wood carvings to hand-sewn quilts, provides a new understanding of folk art, recognizing its achievements as an essential part of America’s visual heritage.

Our America: The Latino Presence in American Art explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture.

Through the eyes of almost-six-year-old Li'l Sis, the colorful story of Uncle Willie unfolds, a story that changes forever a little girl's perceptions of art and the world around her. The book is based on the life of African American artist William H.

Untitled: The Art of James Castle celebrates one of the most enigmatic American artists of the twentieth century.

From its earliest stirrings as a republic to the information age, America has been a country of triumph and struggle, imagination and innovation.

This lavishly illustrated history of America’s Patent Office Building illuminates the importance of a treasured national landmark. Today the building is home to two Smithsonian museums, the Smithsonian American Art Museum and the National Portrait Gallery.

This full-color catalogue provides a rare insight into a stunning private collection of American Art. Hugh and Marie Halff, connoisseurs based in San Antonio, Texas, have read, studied, and traveled widely in their quest.

Earl Cunningham (1893–1977) was one of the premier folk artists of the twentieth century. Earl Cunningham’s America presents Cunningham as a folk modernist who used the flat space and brilliant color typical of Matisse and Van Gogh to create sophisticated compositions.

Staged Stories: Renwick Craft Invitational 2009 showcases the talent of four exceptional artists: Christyl Boger, Mark Newport, Mary Van Cline, and SunKoo Yuh. Working in the traditional media of clay, fiber, and glass, these artists push their material to communicate in new ways.

Over a period of fifty years, William T. Wiley has distinguished himself by creating an extensive body of work that challenges the precepts of mainstream art.

Few photographers have captured more compelling images of the untamed American West than Timothy H. O’Sullivan.

Norman Rockwell’s pictures tell stories—of children growing up and of couples growing old—that make us laugh with warmhearted recognition. Rockwell was a master humorist with an infallible sense of the dramatic moment.

A Revolution in Wood celebrates the gift of sixty-six pieces of turned and carved wood to the Renwick Gallery by the distinguished collectors Fleur and Charles Bresler.