This in-depth look at a renowned collection, ranging from bottlecap giraffes and wood carvings to hand-sewn quilts, provides a new understanding of folk art, recognizing its achievements as an essential part of America’s visual heritage.

Our America: The Latino Presence in American Art explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture.

Through the eyes of almost-six-year-old Li'l Sis, the colorful story of Uncle Willie unfolds, a story that changes forever a little girl's perceptions of art and the world around her. The book is based on the life of African American artist William H.

Untitled: The Art of James Castle celebrates one of the most enigmatic American artists of the twentieth century.

In the nineteenth century, people from all walks of life embraced the new medium of photography with unparalleled enthusiasm. For artist and inventor Samuel F. B.

The Gilded Age: Treasures from the Smithsonian American Art Museum commemorates Treasures to Go, a series of eight exhibitions from the Smithsonian American Art Museum, touring the nation through 2002.

The craft object creates a link between the forming hands of its maker and the hands and mind of its user.

Published as a celebration of the Renwick Gallery’s twenty-fifth anniversary, this book masterfully illustrates the intellectual and tactile excitement found in American crafts. Photographs of exquisite clarity give this volume an optical effervescence.

The striking design of this book showcases a comprehensive survey of the world’s largest collection of works by American artists, ranging from colonial limners to the contemporary avant-garde.

The American Art Forum, a small group of collectors from across the United States, was begun twenty years ago by Charles C. Eldredge while he was director of the Smithsonian American Art Museum.

40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists.

Often called the great corridor of America’s westward expansion, in the nineteenth century the Great Platte River Road carried wagon trains and settlers through Nebraska Territory to points farther west.

Graphic Masters celebrates the extraordinary variety and accomplishment of American artists’ works on paper.

The eighty-four pieces of studio furniture owned by the Renwick Gallery of the Smithsonian American Art Museum constitute one of the largest assemblages of American studio furniture in the nation.

A prolific landscape record evolved as soon as cameras and equipment could be reliably used outdoors. Most nineteenth-century photographers worked on government-sponsored surveys. Others helped to lure investors westward with the images they made along the routes of the railroads.

During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists.