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Making Connections at the Renwick: Everything Clicks

The Renwick's reinstallation of more than eighty objects from its permanent collection—Connections: Contemporary Craft at the Renwick Gallery—brings together artists working in media as diverse as vinyl, denim, quartz, and glass.

Romaine Brooks: Body of Work

In honor of the current exhibition "The Art of Romaine Brooks," eminent scholars Cassandra Langer, Sylvia Kahan, and Helen Langa, joined SAAM's chief curator Virginia Mecklenburg, for a discussion that shed new light onto the artist's life and times.

Romaine Brooks: Gray Matters

The paintings of Romaine Brooks have always made me want to learn more about the artist. The exhibition, "The Art of Romaine Brooks" has some answers.

Throwback Thursday: Seats of Power (and an Occasional Settee)

It's Throwback Thursday! And we at Eye Level have decided it's a great opportunity to bring back some of our interesting posts from the past. With the presidential election in full swing, we thought you might be interested in seeing some of the decorative arts our next President might encounter in the White House.

Curator's Travel Journal: In Rufino Tamayo's Footsteps (6)

E. Carmen Ramos, curator of Latino Art at SAAM, was recently in Mexico to research her upcoming exhibition on the acclaimed 20th-century Mexican artist Rufino Tamayo’s lengthy residence and production in New York City. This is the sixth and final post Carmen scribed from the road. The exhibition Tamayo: The New York Years will open at SAAM November 3, 2017. Read all of Carmen's notes from her research trip.

Patrick Dougherty: Branching Out

"Everything you can do with a pencil you can do with a stick," artist Patrick Dougherty remarked the other evening at a talk in the Renwick's Grand Salon, as he likened his craft to the art of drawing.

Seeing Things (16): Time and the Photographic Image

Photography has a way with time. Two works of art, both photographic series currently on view, speak to each other in a poignant dialogue without words. In the Lincoln Gallery, on SAAM's third floor, Nicholas Nixon's The Brown Sisters can be seen on the wall adjacent to Camilo José Vergara's series 10828 S. Avalon Blvd., LA, a work whose compression is echoed in the title's insistence on abbreviations.

SAAM Acquires Six Major Works by Bill Traylor

The Smithsonian American Art Museum just acquired six major works by Bill Traylor, an artist who was born into slavery around 1853-54, and first began his creative life as an elderly man, after living and working primarily as a sharecropper.

Curator's Travel Journal: In Rufino Tamayo's Footsteps (5)

E. Carmen Ramos, curator of Latino Art at SAAM was recently in Mexico to research her upcoming exhibition on the acclaimed 20th-century Mexican artist Rufino Tamayo's lengthy residence and production in New York City, Tamayo: The New York Years. This is the fifth in a series of posts Carmen scribed from the road. Stay tuned for more updates. Read all of Carmen's notes from her research trip.

Renwick Gallery: Four WONDER Installations Closing Sunday

Like all good things, WONDER, the most talked-about, Instagrammed, and wondrous exhibition is nearing the end of its record-breaking run. Sunday, May 8, is your last chance to see four installations on the second floor—Maya Lin's Folding the Chesapeake, Jennifer Angus' In the Midnight Garden, John Grade's Middle Fork, and Chakaia Booker's Anonymous Donor.

Curator's Travel Journal: In Rufino Tamayo's Footsteps (4)

E. Carmen Ramos, curator of Latino Art at SAAM was recently in Mexico to research her upcoming exhibition on the acclaimed 20th-century Mexican artist Rufino Tamayo's lengthy residence and production in New York City, Tamayo: The New York Years. This is the fourth in a series of posts Carmen scribed from the road. Stay tuned for more updates. Read all of Carmen's notes from her research trip.

WONDER Artist Interview: Jennifer Angus

Artist Jennifer Angus uses brilliantly colored insects in her thought-provoking installation, In the Midnight Garden, on view through May 8 in the exhibition WONDER. Eye Level had a chance to catch up with Jennifer and ask her about her work, the importance of insects to the natural world, and even to take a peek into her closet.

Betsy Broun, SAAM's Director, Announces Her Retirement

Elizabeth "Betsy" Broun, who has led SAAM and the Renwick since 1989, is retiring at the end of the year. Her tenure has been marked by groundbreaking exhibitions, digital innovation, new educational opportunities, and a push to broaden our collections of contemporary, folk, self-taught, African American, Latino, and new media arts.

Curator's Travel Journal: In Rufino Tamayo's Footsteps (3)

E. Carmen Ramos, curator of Latino Art at SAAM is currently in Mexico to research her upcoming exhibition on the acclaimed 20th-century Mexican artist Rufino Tamayo's lengthy residence and production in New York City, Tamayo: The New York Years. This is Carmen's third post from Mexico. Stay tuned for more updates from the road.
E. Carmen Ramos on April 14, 2016

Curator's Travel Journal: In Rufino Tamayo's Footsteps (2)

E. Carmen Ramos, curator of Latino Art at SAAM is currently in Mexico to research her upcoming exhibition on the acclaimed 20th-century Mexican artist Rufino Tamayo's lengthy residence and production in New York City, Tamayo: The New York Years. This is Carmen's second post from Mexico. Stay tuned for more updates from the road. Read all of Carmen's notes from her research trip.

When Pablo met SAAM: Picasso and Company on view in Crosscurrents through Sunday

One of the most frequently asked questions at SAAM's Luce Foundation Center is, "Where are the Picassos?" Usually, our answer is, "We don't have Picassos at American Art. He wasn't an American artist, nor did he ever make art in America." However, for the past few months, we've been singing a slightly different tune, as the exhibition, Crosscurrents: Modern Art from the Sam Rose and Julie Walters Collection, contains eighteen paintings and ceramics by the Spanish-born master, considered one of the most important artists of the twentieth century. But you need to hurry: Crosscurrents closes on Sunday, April 10.

Maya Lin: WONDERS of the Natural World

Maya Lin, whose Folding the Chesapeake, is one of nine room-filling installations in the exhibition WONDER, spoke the other evening in the Renwick's Grand Salon about the three streams of her creative life: art, architecture, and memorials.

Gone in a Flash: Irving Penn Closes March 20

"Irving Penn: Beyond Beauty," the first retrospective of Penn's work in more than twenty years, shows a master photographer progressing through the decades and includes some early works that are being shown for the first time. Exhibition closes March 20.