Road in the Cuyamacas

Charles Reiffel, Road in the Cuyamacas, ca. 1933-1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.176
Copied Charles Reiffel, Road in the Cuyamacas, ca. 1933-1934, oil on canvas, 40 1⁄8 x 50 3⁄8 in. (101.9 x 128.0 cm), Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.176
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Artwork Details

Title
Road in the Cuyamacas
Artist
Date
ca. 1933-1934
Location
Not on view
Dimensions
40 1⁄8 x 50 3⁄8 in. (101.9 x 128.0 cm)
Credit Line
Transfer from the U.S. Department of Labor
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — California
  • Landscape — rocks
  • Landscape — mountain — Cuyamaca Mountains
  • New Deal — Public Works of Art Project — California
Object Number
1964.1.176
Linked Open Data
https://edan.si.edu/saam/id/object/1964.1.176

Artwork Description

A narrow, winding path entices the viewer into this rocky wilderness in Southern California's Cuyamaca Mountains. Above the rugged peaks, clouds gather in formations that repeat those of the rocks below. Golden light streams down between the clouds, picking out a boulder here and a treetop there. Artist Charles Reiffel used bright dabs of red, orange, and blue paint to suggest sunlight sparkling on rain-wet stones and pine needles. It was this kind of spectacular scenery that had persuaded Reiffel to make an unplanned move from his home in Connecticut to San Diego in 1925. In this painting of the California countryside he loved, Reiffel spoke to viewers in distant Washington, D.C., praising the beauties of nature.

1934: A New Deal for Artists exhibition label

Luce Center Label

In 1933 the Works Progress Administration hired Charles Reiffel for forty-two dollars a week. The government wanted to provide some relief for artists who could find no jobs after the Wall Street crash, and devised the Federal Art Project to make painters and sculptors part of the nation's workforce. In a show honoring these artists, Reiffel exhibited Road in the Cuyamacas along with three other paintings. He accentuated the otherworldly quality of the craggy California mountains with clouds that echo the topography. One critic praised the artist's ability to capture "the open places where a bit of vegetation struggles to keep its hold upon a rocky slope." (Stevens, San Diego Evening Tribune, November 17, 1929, quoted in Petersen, Second Nature: Four Early San Diego Landscape Painters, 1991)

Related Books

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1934: A New Deal for Artists
During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. The Public Works of Art Project (PWAP) enlisted artists to capture “the American Scene” in works of art that would embellish public buildings across the country. Although it lasted less than one year, from December 1933 to June 1934, the PWAP provided employment for thousands of artists, giving them an important role in the country’s recovery. Their legacy, captured in more than fifteen thousand artworks, helped “the American Scene” become America seen.