Mountains and Clouds

Alexander Calder's Mountains and Clouds at the Hart Building

Alexander Calder's Mountains and Clouds at the Hart Building

Kriston
August 10, 2006

A friend who works in the Senate offered to meet me in the Hart Building before heading over to show me around some special collections rooms at the Library of Congress. My trip inside the Hart Building was my first visit to the Senate offices, and I was surprised to find that the building's atrium hosts a monumental Calder sculpture: Mountains and Clouds. Kudos to the appropriate Senate office for keeping such complete information about the work and its history on the Senate Web site.

The mobile (or Clouds) was composed with a few broad, clustered leaves. For a Calder, it has a dense center; perhaps factors related to the commission and the site contributed to the distinct design, and in particular the mechanical apparatus that was intended to rotate the mobile. (According to the Web site, a new bearing system is being designed to rotate the mobile.)

Mountains and Clouds was the last piece Calder ever made—though he didn't finish it. From the site:

On November 10, 1976, Calder brought the Mountains and Clouds maquette–-his twenty-inch sheet-metal model–-to Washington, D.C., so that he could present it to the architect of the Capitol and finalize the placement of the piece. After making minor adjustments to two of the clouds, he expressed satisfaction with the maquette as positioned in a model of the atrium. This proved to be a final visit: Calder died of a heart attack that night after he returned to New York City.

At first glance, the backdrop for Mountains and Clouds, the Hart building's grid-lined atrium, reminded me of nothing so much as D.C.'s Mies Van der Rohe–designed Martin Luther King, Jr., Memorial Library—I imagined that the black matte finish from the library's gridded exterior had washed off the Hart's interior walls and coalesced as a sculpture.

 

Recent Posts

Large-scale installation of corncob piñatas.
Gold-fringed walls and piñata corncobs transform the Grand Salon of SAAM's Renwick Gallery and highlight the role of maize in North American visual culture.
Headshot of woman with black hair
Rebekah Mejorado
Public Relations Specialist
Jane Carpenter-Rock standing in the Kogod Courtyard.
Acting Director Jane Carpenter-Rock on the inspiring collections at SAAM
Professional photo of Jane Carpenter-Rock
Jane Carpenter-Rock
Acting Director
Detail of black and white quilt with rows of stylized human figures.
Carolyn Mazloomi on the importance of art and community in her life.