Artist to Artist

Media - 1967.129 - SAAM-1967.129_1 - 65164

The work of the artist is often thought of as solitary. We picture the painter confronting a blank canvas alone, studio door figuratively shut. Yet few artists thrive in a social vacuum. Even those who prefer to work in private will seek out other artists for myriad reasons: mentorship and inspiration, practical assistance, a sense of solidarity or shared purpose. Artists are often each other’s first and most important audience, providing vital support before critics, curators, and collectors arrive on a scene. Two artists caring about one another’s work is fundamental to the creation of any art world,” large or small. 

Description

Assembled from the museum's extensive twentieth-century holdings, Artist to Artist features a rotating group of eight pairings. Artists currently featured in the galleries are George Tooker and Paul Cadmus, Kenjiro Nomura and Kamekichi Tokita, Frank O'Hara and Grace Hartigan, Tadashi Sato and Satoru Abe, Yasuo Kuniyoshi and Bumpei Usui, Thomas Hart Benton and Jackson Pollock, T.C. Cannon and Fritz Scholder, and Alma Thomas and Felrath Hines. Each pairing represents two figures whose trajectories intersected at a creatively crucial moment, whether as student and teacher, professional allies, a couple, or ardently close friends. Based in common goals or shared life experience, the personal interactions represented by these works helped shape and sustain American art.

Within this exhibition is "New on View," an ongoing series of installations that place recently acquired artworks—both gifts and museum purchases—in dialogue with works already in SAAM's collection. Previous pairings included Yayoi Kusama and Joseph Cornell, Loïs Mailou Jones and Elizabeth Catlett, Joan Brown and Elmer Bischoff, Miguel Luciano and Juan Sánchez, Hisako Hibi and Matsusaburo George Hibi, and Ray Yoshida and Christina Ramberg.

Melissa Ho, curator of twentieth-century art, organized the exhibition.

Visiting Information

October 1, 2021 August 2, 2026
Open Daily, 11:30 a.m.–7:00 p.m
Free Admission

SAAM Stories

Side by side artworks. On the left: a painting with African mask references. On the right: a black sculpture, also with African mask references.
The lives of Loïs Mailou Jones and Elizabeth Catlett intersected briefly but formatively in the 1930s at Howard University
SAAM
A painting of a soldier looking at a strolling woman.
Celebrating Pride with paintings by two artists whose lives intersected and whose artworks explore similar themes
Detail from a painting. Orange and blue organic shapes on a dark blue background.
Exhibitions10/15/2021
On the surprising friendship between artists Yayoi Kusama and Joseph Cornell

Online Gallery

Grace Hartigan, Frank O'Hara, 1926-1966, 1966, oil on linen, Smithsonian American Art Museum, Gift of Grace Hartigan, 1967.129
Frank O’Hara, 1926 – 1966
Date1966
oil on linen
On view
George Tooker, The Waiting Room, 1959, egg tempera on wood, Smithsonian American Art Museum, Gift of S.C. Johnson & Son, Inc., 1969.47.43
The Waiting Room
Date1959
egg tempera on wood
On view
Paul Cadmus, Night in Bologna, 1958, egg tempera on fiberboard, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.87
Night in Bologna
Date1958
egg tempera on fiberboard
On view
Yasuo Kuniyoshi, Strong Woman and Child, 1925, oil on canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.50
Strong Woman and Child
Date1925
oil on canvas
On view
Thomas Hart Benton, Wheat, 1967, oil on wood, Smithsonian American Art Museum, Gift of Mr. and Mrs. James A. Mitchell and museum purchase, 1991.55
Wheat
Date1967
oil on wood
Not on view
Jackson Pollock, Going West, ca. 1934-1935, oil on fiberboard, Smithsonian American Art Museum, Gift of Thomas Hart Benton, 1973.149.1
Going West
Dateca. 1934-1935
oil on fiberboard
Not on view
Kamekichi Tokita, Self Portrait, ca. 1935, oil on canvas, Smithsonian American Art Museum, Gift of the Kamekichi and Haruko Tokita family of Seattle, Washington, USA, 2023.11
Self Portrait
Dateca. 1935
oil on canvas
On view
Kenjiro Nomura, The Farm, 1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.36
The Farm
Date1934
oil on canvas
On view
Fritz Scholder, Indian in the Snow, 1972, acrylic on canvas, Smithsonian American Art Museum, Gift of Benjamin P. Nicolette, 1980.107
Indian in the Snow
Date1972
acrylic on canvas
On view
T. C. Cannon, Waiting for the Bus (Anadarko Princess), 1977, color lithograph on paper, Smithsonian American Art Museum, Gift of Barney Dreyfuss, 1982.5
Waiting for the Bus (Anadarko Princess)
Date1977
color lithograph on paper
On view
Satoru Abe, New Branches, 1980, cast and welded copper and brass on wood base, Smithsonian American Art Museum, Gift of the Daniel K. Inouye Institute, in honor of the Smithsonian Asian Pacific American Center, 2021.78
New Branches
Date1980
cast and welded copper and brass on wood base
On view
Tadashi Sato, Embedded Rock, 1965, oil on canvas, Smithsonian American Art Museum, Gift of the Daniel K. Inouye Institute, in honor of the Smithsonian Asian Pacific American Center, 2021.43.2
Embedded Rock
Date1965
oil on canvas
On view
Felrath Hines, Yellow and Gray, 1976, oil on linen, Smithsonian American Art Museum, Gift of the Barbara Fiedler Gallery, 1978.128
Yellow and Gray
Date1976
oil on linen
On view
Alma Thomas, Autumn Leaves Fluttering in the Breeze, 1973, acrylic on canvas, Smithsonian American Art Museum, Bequest of the artist, 1980.36.9
Autumn Leaves Fluttering in the Breeze
Date1973
acrylic on canvas
On view