Howard Kaplan

"I hate to see the show go. It seems like yesterday that it opened. But when you think about it, the Fence was only up for two weeks!," George Gurney, deputy chief curator at American Art, told me last week when we were speaking about the closing of the exhibition, Christo and Jeanne-Claude: Remembering the Running Fence.

Joe Pozzi was only a boy when Christo and Jeanne-Claude approached his father for permission to erect The Running Fence on land that ran through their Sonoma County, California, property. We asked Joe if he would kindly share some of his memories of Christo and Jeanne-Claude and the Running Fence with us. The exhibition Christo and Jeanne-Claude: Remembering the Running Fence closes on September 26.

I admit, it was the title, Wishing for Winter, that first drew me to this work, as I walked around American Art on one of Washington D.C.'s toastiest days. August may have ended, but the summer is not going anyplace just yet. I let the crowds explore the Norman Rockwell exhibit on the ground floor, while I made my way up to three, to check out modern and contemporary works. It was pretty busy up there, too.

Just outside the exhibition Christo and Jeanne-Claude: Remembering the Running Fence is a small earlier piece by Christo.

Telling Stories: Norman Rockwell from the Collections of George Lucas and Steven Spielberg shows us how Rockwell went to great lengths to stage his pictures, laboring over costumes for each figure and the individual props that added to the story he wanted the viewer to understand at a glance.

Of all the stories of internees in the relocation camps for Japanese Americans during World War II, Isamu Noguchi's was the most unusual.

When I typed "birds" into American Art's search engine, I was able to view multiple artists' different takes on the natural world. I came across Seacoast and Flying Birds, a colorful woodblock print by Frances H. Gearhart (1869-1958), and decided to explore the work of an artist I knew nothing about.

I always wondered what it would be like to compose a score for particular artworks in the collection of American Art. Clearly a late- nineteenth-century painting by Thomas Wilmer Dewing would sound different from a meditative Mark Rothko work painted seventy years later.

American artist Louise Bourgeois died on Monday, May 31, at the age of ninety-eight. Born in France to parents who made their living repairing tapestries, she moved to New York City in 1938 and lived and worked there for the rest of her life.

For me, the name Louis Comfort Tiffany conjures up images of art glass, opulence, and the mystique of the Gilded Age. But I had no idea that he was also a photographer and gained some amount of renown for his images. I love this one, an albumen print entitled Fishermen Unloading a Boat, Sea Bright, New Jersey, taken in 1887.

This year's Collectors' Roundtable Series concluded the other evening with a spirited presentation by Richard Kelly, who showed us the ins and outs (as well as the oohs and ahhhs) of building a collection of illustrations.

Our closer look at the exhibition, The Art of Gaman: Arts and Crafts from the Japanese Internment Camps, 1942-1946, continues with The Vest with a Thousand Knots.

"That is not me," Jules Feiffer said, referring to the Bob Landry black-and-white photograph of an elegantly dressed Fred Astaire performing "Puttin' on the Ritz" from the 1946 movie Blue Skies. Feiffer spoke recently on Landry's photograph in the museum's McEvoy auditorium as part of the American Pictures lecture series, which pairs works of art with leading figures of contemporary American culture.

Filmmakers Albert Maysles and his brother, David (who died in 1987), are recognized as masters of "direct cinema," the American cousin of French "cinéma vérité." They first met Christo and Jeanne-Claude in the early 1960s and filmed many of their works over the decades, including two that will be screened at American Art's McEvoy Auditorium on April 29, at 6:30 pm: Valley Curtain (1973) and Christo in Paris (1986).

In the second of three Collectors' Roundtable lectures this spring, Elmerina and Dr. Paul Parkman and John T. Kotelly led a spirited conversation on collecting contemporary craft. All three share a passion for studio arts and related stories of how they began collecting, what they've acquired since, and how once the collecting bug strikes, your life may never be the same.

With the opening of the much-anticipated exhibition Christo and Jeanne-Claude: Remembering the Running Fence, Eye Level had a chance to speak with Christo about the making of the original outdoor installation, Running Fence, Sonoma and Marin Counties, California, 1972-76.

American Art holds an important collection of works by William H. Johnson. To learn more about this celebrated artist, explore A Journey Through Art with William H. Johnson.

This year's Collectors Roundtable series was formed in part by feedback the museum received from the previous one. People wanted more Collecting 101 presentations, so this year's program was shaped with the budding collector in mind. Plus, this year the three lectures are also free, so that leaves more money to put aside for your art collection. Perhaps you'd like to start with a print?

"It all started because of this bird pin I'm wearing," Delphine Hirasuna told us the other day at the American Art Museum's Renwick Gallery in preparation for the March 5 opening of The Art of Gaman: Arts and Crafts from the Japanese American Internment Camps 1942–1946.

"I'm a comic book writer, artist, and storyteller," Darwyn Cooke told us when he spoke recently at the McEvoy Auditorium about his first graphic novel, The Hunter, an adaptation of the famous crime novel written by Donald E. Westlake under the pseudonym Richard Stark.