Dowager in a Wheelchair

Philip Evergood, Dowager in a Wheelchair, 1952, oil on fiberboard, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.90
Copied Philip Evergood, Dowager in a Wheelchair, 1952, oil on fiberboard, 47 7⁄8 x 36 in. (121.5 x 91.4 cm.), Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.90

Artwork Details

Title
Dowager in a Wheelchair
Artist
Date
1952
Location
Not on view
Dimensions
47 7⁄8 x 36 in. (121.5 x 91.4 cm.)
Credit Line
Gift of the Sara Roby Foundation
Mediums
Mediums Description
oil on fiberboard
Classifications
Subjects
  • Architecture Exterior
  • Architecture — vehicle — taxi
  • State of being — disabled
  • Figure group — female
  • Cityscape — street
Object Number
1986.6.90
Linked Open Data
https://edan.si.edu/saam/id/object/1986.6.90

Artwork Description

Evergood’s art reflected a deep commitment to social equality and sympathy for human frailty. Recollecting the genesis of Dowager in a Wheelchair, he wrote, “Once I saw a tragic old lady being wheeled on Madison Avenue. She was alive in spirit but her body was only half functioning. She wanted still to be young. A young, gentle, fascinatingly fresh companion was wheeling her. As I passed, spring was in the air, a delicate whiff of lilac perfume mixed with a faint background of crushed rose petals reached my nostril & then my brain. I was disturbed. I stopped when they’d passed and followed their progress through the crowds with my eyes. Taxis & cars were too noisy. I lost sight of them in a few moments. I went sadly on my way with a vivid memory which lingered on. I consider the painting to be one of the very best I ever painted.”


Modern Amerian Realism: The Sara Roby Foundation Collection, 2014
Luce Center Label

Philip Evergood was a political radical who throughout his career sympathized with this country's less privileged citizens. But his sympathy also extended to those whose wealth could not shield them from the realities of life. In this painting, a dowager in an improbable hat and veil, her shrunken upper body at odds with swollen legs and ankles, gamely takes her daily promenade, even though a younger woman must wheel her around. The ravaged grande dame represents "a tragic old lady being wheeled on Madison Avenue" who, Evergood remembered, was "alive in spirit" even as her body betrayed her.

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Exhibitions

Media - 1986.6.100 - SAAM-1986.6.100_2 - 135134
Modern American Realism: Highlights from the Sara Roby Foundation Collection
Smithsonian American Art Museum
This exhibition presents some of the most treasured paintings and sculpture from SAAM’s permanent collection, including artworks by Will Barnet, Isabel Bishop, Paul Cadmus, Edward Hopper, Yasuo Kuniyoshi, Jacob Lawrence, George Tooker, among others.