Past Exhibitions

This exhibition of the Tuan Andrew Nguyen's film, The Island, is shown for the first time with Bidong Spirit I, a sculpted headdress that appears in the film.

The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.

Explore the creative practice of Amish quilters in the United States.

William H. Johnson's Fighters for Freedom series from the mid-1940s is a tribute to African American activists, scientists, teachers, and performers as well as international leaders working to bring peace to the world.

This exhibition from Smithsonian Gardens features 200 varieties of orchids alongside works by contemporary multimedia artist Phaan Howng.

This focused exhibition pairs two projects by Carrie Mae Weems—a major multimedia installation and a series of photographs—that revisit moments from history.

The exhibition Composing Color: Paintings by Alma Thomas provides an intimate view of Alma Thomas’ evolving artistic practices during her most prolific period from 1959 to her death in 1978.

This focused exhibition pairs artwork by two Black artists working in the mid-nineteenth century—photographer J. P. Ball and painter Robert S. Duncanson.

Ideas about the American West, both in popular culture and in commonly accepted historical narratives, are often based on a past that never was, and fail to take into account important events that actually occurred.

Musical Thinking explores the powerful resonances between recent video art and popular music.

Artists Joe Feddersen (Arrow Lakes/Okanagan), Lily Hope (Tlingit), Ursala Hudson (Tlingit), Erica Lord (Athabaskan/Iñupiat), Geo Neptune (Passamaquoddy), and Maggie Thompson (Fond du Lac Ojibwe) present a fresh and nuanced vision of Native American art.

SAAM’s branch location for contemporary craft, the Renwick Gallery, showcases the dynamic landscape of American craft today. Currently on view are works in a range of mediums from fiber and ceramics to glass, metal, wood, and mixed media.

We Are Made of Stories: Self-Taught Artists in the Robson Family Collection traces the rise of self-taught artists in the twentieth century and examines how, despite wide-ranging societal, racial, and gender-based obstacles, their creativity and

This Present Moment: Crafting a Better World showcases the dynamic landscape of American craft today.

Step into a floral oasis in the Kogod Courtyard with Orchids: Hidden Stories of Groundbreaking Women, an exhibition that unearths stories of women who have enriched the understanding and appreciation of orchids.

New Glass Now documents the innovation and dexterity of artists, designers, and architects from around the world working in the challenging material of glass.

This exhibition brings to life the Venetian glass revival of the nineteenth century on the famed island of Murano and the artistic experimentation the city inspired for artists such as John Singer Sargent and James McNeill Whistler.

Welcome Home: A Portrait of East Baltimore, 1975-1980 captures a cross-section of East Baltimore residents and businesses in the 1970s, documenting the community’s history and diversity.

Alexander von Humboldt and the United States: Art, Nature, and Culture reveals how the influential naturalist and explorer shaped American perceptions of nature and the way American cultural identity became grounded in our relationship with the e

This focused installation features recently acquired photographs by Dawoud Bey in conversation with a painting by William H. Johnson that refer to the Underground Railroad.

Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art’s engagem

In the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today.

Janet Echelman's colorful fiber and lighting installation, suspended from the ceiling of the Renwick Gallery's Grand Salon, examines the complex interconnections between human beings and our physical world.

Hearts of Our People: Native Women Artists is the first major thematic exhibition to explore the artistic achievements of Native women.

Japanese-born artist Chiura Obata’s seemingly effortless synthesis of different art traditions defies the usual division between “East” and “West.” This exhibition presents the most comprehensive survey of his rich and varied body of work to date, from bo

Picturing the American Buffalo: George Catlin and Modern Native American Artists examines representations of buffalo and their integration into the lives of Native Americans on the Great Plains in the 1830s and in the twentieth century.

Ginny Ruffner (1952-2025) is a glass artist best known for her elegant sculptures and mastery of glass techniques.

In his delicately rendered sculptures in clay, glass, and metal, Michael Sherrill seeks to elicit a sense of wonder from viewers, and to make them see the natural world anew.

Populated with toy cowboys and cavalry, Barbie dolls and baseball players, David Levinthal’s photographs reference iconic images and events that shaped postwar American society.

Artists used preliminary models—or maquettes—to communicate their ideas.