Art + Artists
Featured Exhibitions
-
¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now
May 14, 2021 — August 8, 2021
Smithsonian American Art Museum (8th and G Streets, NW)In the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today. Many artists came of age during the civil rights, labor, anti-war, feminist and LGBTQ+ movements and channeled the period’s social activism into assertive aesthetic statements that announced a new political and cultural consciousness among people of Mexican descent in the United States. ¡Printing the Revolution! explores the rise of Chicano graphics within these early social movements and the ways in which Chicanx artists since then have advanced innovative printmaking practices attuned to social justice. -
Forces of Nature: Renwick Invitational 2020
May 14, 2021 — August 15, 2021
Renwick Gallery (Pennsylvania Avenue at 17th Street NW)Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art’s engagement with the natural world through unconventional and highly personal perspectives.
Collection Highlights
The museum’s collection begins with works from the colonies of New Spain and New England.
The museum’s collection charts the nation’s growth from a young republic to an emerging world power. Landscapes extolling the nation’s geographic wonders from Niagara Falls to the Grand Canyon drove and documented westward expansion. Asher Durand’s Dover Plains, Dutchess County, New York presents an idyllic landscape where man and nature coexist.
Artists in the twentieth century chose two distinct ways to depict modernism and the excitement of progress—realism and abstraction. Both are well represented in the collection. The museum has the largest collection of New Deal art and murals in the country. Images of jazz and street life, farms and factories, workers and families captured a changing America
In recent years, the museum has strengthened its commitment to contemporary art through acquisitions, commissions, and exhibitions.
SAAM is home to one of the most significant collections of African American art in the world, with more than 2,000 works by more than 200 African American artists. These artworks span three centuries of creative expression in various media, including painting, sculpture, textiles, and photography.
The museum’s collection of contemporary American craft is considered one of the finest in the United States.
The Smithsonian American Art Museum’s collection of folk and self-taught art represents the powerful vision of America’s untrained and vernacular artists. Represented in the museum’s collection are pieces that draw on tradition and artworks that reveal a more personal vision.
The Smithsonian American Art Museum’s leading Latinx art collection represents a profound commitment to building a great national collection reflecting the rich contributions of Latinos to our country from the colonial period to the present and the diversity of Latino communities in the United States.
America’s continuing love affair with the camera can be traced through the Smithsonian American Art Museum’s collection, which ranges from early daguerreotypes to contemporary digital works. In 1983, the museum began to seriously collect photography. That year, more than 1,800 photographs were transferred to the museum from the National Endowment for the Arts.
The museum’s American sculpture collection is one of the largest and most comprehensive in the world.
Graphic arts comprise a large part of the museum’s collection, which reveals the central importance of works on paper for American artists, both as studies for creations in other media and as finished works of art.
The Time-Based Media Art Initiative at the Smithsonian American Art Museum reflects a commitment to develop the museum’s time-based media collections, research resources, and programs.
