Smithsonian American Art Museum
Irving Penn (1917–2009), known for his iconic fashion, portrait, and still life images that appeared in Vogue, ranks as one of the foremost photographers of the twentieth century.
In the 1950s and 1960s, pop art offered a stark contrast to abstract expressionism, then the dominant movement in American art.
ONE THING: VIET-NAM, Art and America’s War, 1965 to 1975 explores artistic reactions to the Vietnam War created during the height of the U.S. intervention in Southeast Asia. An unpopular and internally divisive conflict, America’s war in Vietnam had a pervasive cultural impact.
Artist Trevor Paglen’s work explores surveillance, state secrecy, data collection, and the ways in which technology is altering humans’ relationship with the land around us.
Tamayo: The New York Years is the first exhibition to explore the influences between this major Mexican modernist and the American art world.
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.
At the height of the Harlem Renaissance, Carl Van Vechten (1880–1964) picked up a camera and discovered the power the photographic portrait has over the photographer himself.
Romaine Brooks (1874–1970) lived most of her life in Paris where she was a leading figure of an artistic counterculture of upper-class Europeans and American expatriates, many of whom were creative, bohemian, and homosexual.
In the 1950s and 1960s, pop art offered a stark contrast to abstract expressionism, then the dominant movement in American art.