Forces of Nature: Renwick Invitational 2020 features artists Lauren Fensterstock, Timothy Horn, Debora Moore, and Rowland Ricketts. Representing craft media from fiber to mosaic to glass and metals, these artists approach the long history of art’s engagement with the natural world through unconventional and highly personal perspectives.

In the 1960s, activist Chicano artists forged a remarkable history of printmaking that remains vital today. Many artists came of age during the civil rights, labor, anti-war, feminist and LGBTQ+ movements and channeled the period’s social activism into assertive aesthetic statements that announced a new political and cultural consciousness among people of Mexican descent in the United States. ¡Printing the Revolution! explores the rise of Chicano graphics within these early social movements and the ways in which Chicanx artists since then have advanced innovative printmaking practices attuned to social justice.

The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks. This exhibition presents an alternative history of twentieth-century American art by showcasing the work of artists such as Emma Amos, Sheila Hicks, and Faith Ringgold, who, stitch by stitch, utilized fiber materials to express their personal stories and create resonant and intricate artworks.

I Am an American: Photographs from the East Baltimore Documentary Survey captures a cross-section of East Baltimore residents and businesses in the 1970s, documenting the community’s history and diversity.  These photographs by Elinor Cahn, Joan Clark Netherwood, and Linda Rich were taken as part of a program of photography surveys sponsored by the National Endowment for the Arts to celebrate the bicentennial of founding of the United States.

Steel and Sky: Views of New York City celebrates the architecture, inhabitants, and imaginative spirit of urban America. The exhibition showcases work by artists such as John Sloan, Isabel Bishop, William H. Johnson, and Paul Cadmus, who practiced in New York through the early and middle years of the twentieth century.