Fellowship Opportunities in American Art
The Smithsonian American Art Museum (SAAM) and its Renwick Gallery invite applications for research fellowships in the art and visual culture of the United States. Fellowships are residential and support full-time independent and dissertation research. Recipients will be part of the premier residential fellowship program in American art—one that celebrates its fiftieth anniversary in 2020.
How to Apply
The museum hosts a number of fellows each year through the Smithsonian Institution Fellowship Program (SIFP), and also awards its own named fellowships to candidates from this general pool. Only one application is necessary. All candidates should apply to the Smithsonian Institution Fellowship Program (SIFP). The deadline is November 1, 2018.
Applicants should propose a SAAM primary advisor. They are also encouraged to share proposals with prospective advisors before applying. For assistance identifying an advisor, browse the museum’s staff listings in the Smithsonian Opportunities for Research and Study guide or contact SAAMFellowships@si.edu. Applicants to the SIFP who propose a SAAM primary advisor will automatically be considered for the museum’s named fellowships:
- The Joe and Wanda Corn Fellowship is endowed by their former students Mike Wilkins and Sheila Duignan and supports scholars whose research interests span American art and American history. The recipient will be jointly appointed at SAAM and the National Museum of American History (NMAH) and will draw on the resources of both museums.
- The Douglass Foundation Fellowship in American Art is given for predoctoral research in American art.
- The Patricia and Phillip Frost Fellowship is offered to support research in American art and visual culture.
- The George Gurney Fellowship funds a one- to three-month research appointment in American sculpture in honor of the distinguished career of SAAM’s former curator of sculpture. Contribute to this fund
- The Joshua C. Taylor Fellowship is supported by alumni and friends in memory of the museum’s former director and founder of the fellowship program. Contribute to this fund
- The Terra Foundation Fellowships in American Art foster international research on American art and visual culture prior to 1980 that relates to the collections of the Smithsonian Institution. Fellowships of three to twelve months are available at the predoctoral, postdoctoral, and senior levels to scholars from abroad who are researching American art or to US scholars with an exceptionally strong international component to their study. Distinguished recipients at the senior level are eligible for an augmented stipend of $60,000 for a twelve-month appointment.
- The William H. Truettner Fellowship supports one to three months of research in recognition of Mr. Truettner’s career of nearly fifty years as a curator of painting and sculpture at SAAM. Contribute to this fund
- The Wyeth Foundation Predoctoral Fellowship is awarded for the advancement and completion of a doctoral dissertation that concerns the study, appreciation, and recognition of excellence in all aspects of American art.
Qualifications and Selection
PhD candidates, postdoctoral researchers, and senior scholars are eligible to apply. Predoctoral applicants must have completed coursework and preliminary examinations for their doctoral degree and must be engaged in dissertation research. Postdoctoral fellowships are available to support specific research projects by scholars who have earned a PhD or equivalent. Senior fellowships are intended for scholars with a distinguished publication record who have held their doctoral degree for more than seven years or who possess a commensurate record of professional accomplishment.
Applications will be evaluated on the quality of the proposed research project; its compatibility with Smithsonian collections, facilities, staff, and programs; and the applicant’s academic standing, scholarly qualifications, and experience. SAAM believes that recruiting and maintaining an equitable, inclusive, and diverse cohort of fellows is critical to our mission. We welcome and encourage applications from qualified persons of color; with disabilities; who are gay, lesbian, and transgender; who are veterans; and/or with other underrepresented backgrounds and experiences. The Smithsonian does not discriminate on grounds of race, color, religion, sex (including gender identity, sexual orientation, and pregnancy), national origin, age, or disability.
Support and Tenure
The stipend for a one-year fellowship is $36,000 for predoctoral scholars and $50,400 for postdoctoral and senior scholars, with an allowance of up to $4,000 available for short research trips. Additional allowances may be provided to help with temporary relocation to the Smithsonian and the cost of health insurance. Senior-level recipients of the Terra Foundation Fellowships are eligible for an augmented stipend of $60,000 for the full year. The standard term of residency is twelve months, but shorter terms are available with prorated stipends. All fellowships must take place between June 1, 2019, and August 31, 2020. The Smithsonian Office of International Relations will assist with arranging J-1 exchange visas for fellowship recipients who require them.
Resources and Facilities
The holdings of the Smithsonian American Art Museum reveal the United States’ rich artistic and cultural history from the colonial period to today. This unparalleled collection includes special strengths in nineteenth- and twentieth-century marble and bronze sculpture, nineteenth-century landscape painting, Gilded Age and American impressionist painting, twentieth-century realism, photography and graphic art, folk and self-taught art, Latino art, African American art, and time-based media arts. The collection is housed in a National Historic Landmark building shared with the National Portrait Gallery (NPG) and the Archives of American Art. The expansive holdings of the Luce Foundation Center, a three-story visible art storage facility, can be accessed on a daily basis. Contemporary American craft and decorative art are featured in the Renwick Gallery, a branch of the museum located across from the White House.
Each scholar is provided a study carrel in SAAM’s Research and Scholars Center, situated across the street from the museum. There, fellows have access to a 180,000-volume library that specializes in American art, history, and biography; the Archives of American Art; the graphics collections of SAAM and NPG; the Joseph Cornell Study Center; and the Nam June Paik Archive, as well as a variety of image collections and research databases. Located in downtown Washington, D.C., SAAM’s Research and Scholars Center is a short walk from other Smithsonian museums and libraries, the Library of Congress, the National Archives, and the National Gallery of Art. Regular lunchtime seminars, workshops, public lectures, and symposia provide a forum for lively scholarly exchange and professional advancement.
For more information
SAAM also hosts fellows from these programs
- Big Ten Academic Alliance Smithsonian Fellowships
- Smithsonian Artist Research Fellowship Program (SARF)
- Smithsonian Postgraduate/Postdoctoral Fellowships in Conservation of Museum Collections Program
- Arts and Humanities Research Council’s International Placement Scheme (IPS)
For other Smithsonian opportunities
SAAM Fellows’ Lectures in American Art, 2018
The Smithsonian American Art Museum held three afternoons of lectures by its research fellows on May 2-4, 2018.
For further information, please contact Amelia Goerlitz at (202) 633-8353 or email SAAMFellowships@si.edu.
WEDNESDAY, MAY 2, 2018 2:00 P.M. TO 3:40 P.M.
Moderator: Eleanor Harvey, Senior Curator, Smithsonian American Art Museum
Christian Cloke, Smithsonian Postdoctoral Fellow, University of Cincinnati
“‘AM I NOT A ROMAN?’: Kneeling Barbarians and Enslaved Supplicants from the Mediterranean to the Atlantic”
David Park Curry, Smithsonian Senior Fellow, Independent Scholar
“Soup & Fish: Reconstruction on the President’s Table, 1879–1880”
Alexander Jackson, Terra Foundation Predoctoral Fellow in American Art, University of East Anglia
“The Social Context: Professional and Personal Networks at Century Magazine, ca. 1877–1913”
INTERMISSION 4:00 P.M. TO 5:00 P.M.
Moderator: Melissa Ho, Curator of Twentieth-Century Art, Smithsonian American Art Museum
Lauren Richman, Terra Foundation Predoctoral Fellow in American Art, Southern Methodist University
“Coded Histories: The Family of Man’s Legacy in Divided Germany”
Jennifer Noonan, Terra Foundation Postdoctoral Fellow in American Art, Caldwell University
“Printmaking in Action: The International Art Program’s Graphic Arts Workshop at the 1970 Venice Biennale and Beyond”
THURSDAY, MAY 3, 2018 2:00 P.M. TO 3:40 P.M.
Moderator: Virginia Mecklenburg, Chief Curator, Smithsonian American Art Museum
Spencer Wigmore, Wyeth Foundation Predoctoral Fellow, University of Delaware
“Albert Bierstadt’s Landscapes and California Mining Speculation, 1872–1880”
Jeffrey Richmond-Moll, Joshua C. Taylor Predoctoral Fellow, University of Delaware
“‘Dance, Domingo, Dance!’: Marsden Hartley’s New Mexican Santos”
Michaela Rife, Joe and Wanda Corn Predoctoral Fellow, University of Toronto
“Oil Imaginaries and New Deal Murals on the Great Plains”
INTERMISSION 4:00 P.M. TO 5:00 P.M.
Moderator: E. Carmen Ramos, Deputy Chief Curator & Curator of Latino Art, Smithsonian American Art Museum
Susana “Xuxa” Rodriguez, Smithsonian Predoctoral Fellow, University of Illinois at Urbana-Champaign
“Ana Mendieta: Citizenship and Diaspora in Exile”
Florencia San Martín, Patricia and Phillip Frost Predoctoral Fellow, Rutgers University
“America, Americanity: Alfredo Jaar’s Art in 1980s New York”
FRIDAY, MAY 4, 2018 2:00 P.M. TO 3:40 P.M.
Moderator: Karen Lemmey, Curator of Sculpture, Smithsonian American Art Museum
Lorinda Roorda Bradley, William H. Truettner Predoctoral Fellow, University of Missouri
“Information Machines: Corporate Collaboration and Visual Communication Strategies in the Work of Charles and Ray Eames”
Marin R. Sullivan, George Gurney Postdoctoral Fellow, Keene State College
“The Limits of Artistic Integration: Harry Bertoia’s Dallas Library Commission”
Danielle O’Steen, Big Ten Academic Alliance Smithsonian Institution Predoctoral Fellow, University of Maryland
“Engineered Aesthetics: Frederick Eversley’s Cast Plastic in the 1970s”
INTERMISSION 4:00 P.M. TO 5:00 P.M.
Moderator: Erin J. Gilbert, Curator of African-American Manuscripts, Archives of American Art
Sarah Cowan, Smithsonian Predoctoral Fellow, University of California, Berkeley
“Moving in Modernism: Howardena Pindell’s Early Abstract Paintings”
Abbe Schriber, Douglass Foundation Predoctoral Fellow, Columbia University
“Word on the Street: David Hammons’s Negotiation of Rumor, ca. 1981”