Osage Scalp Dance

John Mix Stanley, Osage Scalp Dance, 1845, oil on canvas, Smithsonian American Art Museum, Gift of the Misses Henry, 1985.66.248,930
John Mix Stanley, Osage Scalp Dance, 1845, oil on canvas, 40 3460 12 in. (103.5153.6 cm), Smithsonian American Art Museum, Gift of the Misses Henry, 1985.66.248,930
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Artwork Details

Title
Osage Scalp Dance
Date
1845
Location
Not on view
Dimensions
40 3460 12 in. (103.5153.6 cm)
Credit Line
Gift of the Misses Henry
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Ceremony — dance — Scalp Dance
  • State of being — evil — danger
  • Indian — Osage
  • Figure group
Object Number
1985.66.248,930

Artwork Description

Melodramatic tales of scalping were popular in Europe and the United States throughout the nineteenth century. John Mix Stanley’s operatic scene shows a villain wielding a war club over a desperate woman's head. A hero who wears a presidential peace medal blocks the club with his spear. By the time Stanley painted this canvas, the government had already begun to subdue native peoples by relocating tribes and fostering warfare among them. This "divide and conquer" policy, together with thrilling narratives of white captives carried off to slavery, helped ease the consciences of European Americans making their way across the continent. Stanley based this fictional image on sketches he made while traveling through the frontier territories in 1842 and 1843.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (15 items)

Eugenie Gershoy, The Very Strong Man, 1936-1940, polychromed dextrine, Smithsonian American Art Museum, Gift of Erwin P. Vollmer, 1985.6
The Very Strong Man
Date1936-1940
polychromed dextrine
On view
Eugenie Gershoy, Raphael Soyer, ca. 1967-1970, bronze, Smithsonian American Art Museum, Gift of Stanley Bard, 1972.90
Raphael Soyer
Dateca. 1967-1970
bronze
On view
Eugenie Gershoy, Homage to Audrey McMahon (Goddess of Fertility), 1977, papier-mache on wire armature with cut out paper and painted with egg tempera on wood base, Smithsonian American Art Museum, Gift of the artist, 1984.76
Homage to Audrey McMahon (Goddess of Fertility)
Date1977
papier-mache on wire armature with cut out paper and painted with egg tempera on wood base
On view
Eugenie Gershoy, Chaim Gross, 1969, bronze, Smithsonian American Art Museum, Gift of Chaim and Renee Gross, 1970.75
Chaim Gross
Date1969
bronze
On view

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