Maquette for Ventana al Pacifico (for U.S. Courthouse, Portland, Oregon)

Manuel Neri, Maquette for Ventana al Pacifico (for U.S. Courthouse, Portland, Oregon), ca. 1988, plaster relief, 30 142410 in. (76.861.025.5 cm.), Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1994.84.5, © 1989, Manuel Neri

Artwork Details

Title
Maquette for Ventana al Pacifico (for U.S. Courthouse, Portland, Oregon)
Artist
Date
ca. 1988
Location
Not on view
Dimensions
30 142410 in. (76.861.025.5 cm.)
Copyright
© 1989, Manuel Neri
Credit Line
Transfer from the General Services Administration, Art-in-Architecture Program
Mediums
Mediums Description
plaster relief
Classifications
Subjects
  • Study — sculpture model
  • Figure — full length
  • Figure group
  • Figure — fragment
Object Number
1994.84.5

Artwork Description

The General Services Administration commissioned Manuel Neri to create a sculpture for the U.S. Courthouse in Portland. The title of this piece translates as “window on the Pacific.” The act of working the plaster captures the artist’s touch, which in turn emphasizes the gestures of his subject. On the front of this piece, a man and a woman face each other. Both have their heads cast downward, and we cannot read their expressions. The woman appears to move forward, and extends her right arm, perhaps to shake hands. The man at first appears to stride confidently toward the woman, yet he holds his arms behind his back, suggesting that he does not want to engage with her. The distance between the two creates tension and a sense of isolation. Are they strangers or do they know one another? Will they meet in the middle or pass on by? Our questions are answered on the rear of the piece, where the woman stands alone.

Works by this artist (83 items)

Gabor Peterdi, Angry Waves, State I, 1958, engraving and lift ground etching, Smithsonian American Art Museum, Gift of Joan Peterdi, 2003.1.8
Angry Waves, State I
Date1958
engraving and lift ground etching
Not on view
Gabor Peterdi, The Time of the Beast, 1964, etching and engraving, Smithsonian American Art Museum, Gift of Joan Peterdi, 2003.1.20
The Time of the Beast
Date1964
etching and engraving
Not on view
Gabor Peterdi, A Genesis, State 6, from the portfolio A Genesis, 1967, combined technique, Smithsonian American Art Museum, Gift of Joan Peterdi, 2003.1.26.10
A Genesis, State 6, from the portfolio A Genesis
Date1967
combined technique
Not on view

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City is Man
Date1941-1952
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Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
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Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
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Date1977
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Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
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