Too Much Sugar for a Dime

Beverly Y. Smith, Too Much Sugar for a Dime, 2017, cotton canvas, cotton batt, embroidery thread, found objects, pencil, acrylic paint, antique lace, and recycled quilt top, 5442 in., Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.4, © 2024, Beverly Y. Smith

Artwork Details

Title
Too Much Sugar for a Dime
Date
2017
Dimensions
5442 in.
Copyright
© 2024, Beverly Y. Smith
Credit Line
Gift of Fleur S. Bresler
Mediums
Mediums Description
cotton canvas, cotton batt, embroidery thread, found objects, pencil, acrylic paint, antique lace, and recycled quilt top
Classifications
Subjects
  • African American
  • Figure female — child — full length
Object Number
2023.40.4

Artwork Description

Beverly Y. Smith
born 1957, Charlotte, NC
resides Charlotte, NC 

Too Much Sugar for a Dime
2017
cotton canvas, cotton batting, embroidery thread, found objects, pencil, acrylic paint, antique lace, and recycled quilt top

Drawn in graphite is a child version of artist Beverly Smith holding a small pouch made from a recycled Dixie Crystals sugar bag. The rem-stitched circles framing the bottom of her skirt?    ?  are reminiscent of candy drops, sweet treats from the past. The background is an interpretation of the popular board game Candy Land, in which players race through a colorful, winding track to reach their destination. 

While there is a veneer of innocence, details such as the girl’s dress of “Welsh cotton,” a cheap and uncomfortable material worn by many enslaved people, the Brown Mule chocolate bar at right symbolizing the forty acres and a mule promised to formerly enslaved families after the Civil War, and the racialized caricatures welcoming viewers to “Dixie Land” at the girl’s left represent some of the harsh realities of Black childhood in the Jim Crow South. 

Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.4

 

We Gather at the Edge: Contemporary Quilts of Black Women Artists, 2025

Works by this artist (2 items)

Thomas Waterman Wood, Sunday Morning, ca. 1877, oil on paperboard mounted on canvas, Smithsonian American Art Museum, Gift of Mrs. Francis P. Garvan, 1979.5.8
Sunday Morning
Dateca. 1877
oil on paperboard mounted on canvas
On view
Thomas Waterman Wood, Thinking It Over, 1884, etching, Smithsonian American Art Museum, Gift of Mrs. Edward C. Wroth, 1969.20.9
Thinking It Over
Date1884
etching
Not on view

More Artworks from the Collection

Edward Sachse, Smithsonian Institute, ca. 1855, hand-colored lithograph, Smithsonian American Art Museum, Gift of Al Marzorini in honor of Harry Lowe, 2019.23
Smithsonian Institute
Dateca. 1855
hand-colored lithograph
Not on view
Marching As to War
Daten.d.
color etching
Not on view
Pharoh’s Horses
Artist
Unidentified (British)
Daten.d.
engraving
Not on view