Ancient Burial IV – Night

Susan L. Iverson, Ancient Burial IV--Night, 1989, wool on linen warp, Smithsonian American Art Museum, Gift of Ellen Jane and Rogers Hollingsworth, 2003.23A-C
Copied Susan L. Iverson, Ancient Burial IV--Night, 1989, wool on linen warp, 37 1890 18 in. (94.3229.0 cm), Smithsonian American Art Museum, Gift of Ellen Jane and Rogers Hollingsworth, 2003.23A-C

Artwork Details

Title
Ancient Burial IV – Night
Date
1989
Dimensions
37 1890 18 in. (94.3229.0 cm)
Credit Line
Gift of Ellen Jane and Rogers Hollingsworth
Mediums
Mediums Description
wool on linen warp
Classifications
Subjects
  • Abstract
  • Landscape — time — night
  • History — ancient
  • Ceremony — funeral
Object Number
2003.23A-C

Artwork Description

Making art requires looking back and looking forward while maintaining a strong presence in the current cultural world.
--Susan L. Iverson

Susan Iverson's tapestries thrive by the rules of the loom, or the structure provided by the warp and weft. In the late 1970s, she traveled to Peru to study ancient textiles and architecture. A series of tapestries, including Ancient Burial IV--Night, reflect her perception of a culture separated from her by time and distance. The resulting work pays homage to commonalities among the art forms, such as geometric abstraction, how color and light appear on surfaces, and the way the weaving process itself guides the outcome. This tapestry is not a simple reproduction of a Peruvian design. Iverson has fragmented the original source material and obscured it with shadowy figments and glints of light. These interventions question how the meaning of an artwork is altered by time, place, and an artist's intention.

Exhibitions

Media - 2019.15 - SAAM-2019.15_1 - 137377
Subversive, Skilled, Sublime: Fiber Art by Women
May 31, 2024January 5, 2025
The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.