Asco’s Stations of the Cross

Asco, Seymour Rosen, Asco's Stations of the Cross, 1971, printed 2018, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2019.3.3, © 1971, SPACES- Saving and Preserving Arts & Cultural Environments
Asco, Seymour Rosen, Asco's Stations of the Cross, 1971, printed 2018, gelatin silver print, 10 × 8 in. (25.4 × 20.3 cm), Smithsonian American Art Museum, Museum purchase through the Frank K. Ribelin Endowment, 2019.3.3, © 1971, SPACES- Saving and Preserving Arts & Cultural Environments

Artwork Details

Title
Asco’s Stations of the Cross
Artists
Asco
Date
1971, printed 2018
Location
Not on view
Dimensions
10 × 8 in. (25.4 × 20.3 cm)
Copyright
© 1971, SPACES- Saving and Preserving Arts & Cultural Environments
Credit Line
Museum purchase through the Frank K. Ribelin Endowment
Mediums Description
gelatin silver print
Classifications
Subjects
  • Figure group
  • Cityscape — street
Object Number
2019.3.3

Artwork Description

Stations of the Cross was a walking "ritual of resistance" against what the performance group Asco considered the "useless deaths" taking place in Vietnam. The male members of the group (which originally comprised Harry Gamboa Jr., Gronk, Willie Herrón III, and Patssi Valdez) paraded down Whittier Boulevard in East Los Angeles, with Herrón as a Christ/death figure bearing a large cardboard cross. The quasi-Passion Play ended with the trioblocking a U.S. Marines recruiting office with the cross, symbolically halting military recruitment from their
Mexican American neighborhood. One year earlier, Whittier Boulevard had been the site of the National Chicano Moratorium March--the largest war protest organized by a minority group, and one that called out the disproportionate burden borne by Americans of color on the front lines.

Works by this artist (6 items)

Bill Beirne, Cross Reference, 1976, two-channel video installation, color, sound; 32:00 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.2, © 1976, Bill Beirne
Cross Reference
Date1976
two-channel video installation, color, sound; 32:00 minutes
Not on view
Bill Beirne, Breathe, 1972, single-channel video, black and white, sound; 10:24 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.1, © 1972, Bill Beirne
Breathe
Date1972
single-channel video, black and white, sound; 10:24 minutes
Not on view
Bill Beirne, Lights of Glass, 1971, 16mm film, black and white, silent; 05:44 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.4, © 1971, Bill Beirne
Lights of Glass
Date1971
16mm film, black and white, silent; 05:44 minutes
Not on view
Bill Beirne, Drawing, 1972, single-channel video, black and white, sound; 12:42 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.3, © 1972, Bill Beirne
Drawing
Date1972
single-channel video, black and white, sound; 12:42 minutes
Not on view

More Artworks from the Collection

My Body Sees You
Date1992
single-channel video, color sound; 05:58 minutes
Not on view
Charlemagne Palestine, Running Outburst, 1975, 5:56 minutes, black & white, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.6, © 1975, Charlemagne Palestine. Courtesy Electronic Arts Intermix, NY
Running Outburst
Date1975
5:56 minutes, black & white, sound
Not on view
Bill Viola, Silent Life from The Reflecting Pool- Collected Work 1977-80, 1979, 13:14 minutes, color, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.16.3, © 1979 Bill Viola. Courtesy Electronic Arts Intermix, NY
Silent Life from The Reflecting Pool- Collected Work 1977 – 80
Date1979
13:14 minutes, color, sound
Not on view
Woody Vasulka, Explanation from Selected Works, 1974, 11:45 minutes, color, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.14.4, © 1974 Woody Vasulka. Courtesy Electronic Arts Intermix, NY
Explanation from Selected Works
Date1974
11:45 minutes, color, sound
Not on view