Hydrant: Hand

Hiram Maristany, Hydrant: Hand, 1963, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.30.2, © 1963, Hiram Maristany
Hiram Maristany, Hydrant: Hand, 1963, gelatin silver print, image: 13 × 17 58 in. (33.0 × 44.8 cm) sheet: 16 × 20 in. (40.6 × 50.8 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.30.2, © 1963, Hiram Maristany

Artwork Details

Title
Hydrant: Hand
Date
1963
Location
Not on view
Dimensions
image: 13 × 17 58 in. (33.0 × 44.8 cm) sheet: 16 × 20 in. (40.6 × 50.8 cm)
Copyright
© 1963, Hiram Maristany
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
gelatin silver print
Classifications
Subjects
  • Figure group
  • Cityscape
  • Figure — fragment — hand
  • Architecture Exterior
Object Number
2016.30.2

Works by this artist (66 items)

Steve Fitch, Untitled (Drive-In: Black Screen), 1973, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.532, ©1973, Steve Fitch
Untitled (Drive-In: Black Screen)
Date1973
gelatin silver print
Not on view
Steve Fitch, Truckstop waitress, Highway 66, Gallup, New Mexico, 1972, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.521, ©1972, Steve Fitch
Truckstop waitress, Highway 66, Gallup, New Mexico
Date1972
gelatin silver print
Not on view
Steve Fitch, Motel, Highway 85, Deadwood, South Dakota, 1972, gelatin silver print, Smithsonian American Art Museum, Transfer from the National Endowment for the Arts, 1983.63.516, ©1972, Steve Fitch
Motel, Highway 85, Deadwood, South Dakota
Date1972
gelatin silver print
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Bently
Dateca. 1975
gelatin silver print
Not on view
Lure of the Sea
Dateca. 1975
gelatin silver print
Not on view
Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view