Is It So Nominated in the Bond?”

John Rogers, "Is It So Nominated in the Bond?", patented 1860, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.3
John Rogers, "Is It So Nominated in the Bond?", patented 1860, painted plaster, 2320 3412 14 in. (58.352.631.0 cm), Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.3
Free to use

Artwork Details

Title
Is It So Nominated in the Bond?”
Artist
Date
patented 1860
Location
Not on view
Dimensions
2320 3412 14 in. (58.352.631.0 cm)
Credit Line
Gift of John Rogers and Son
Mediums
Mediums Description
painted plaster
Classifications
Subjects
  • Figure group
  • Performing arts — theater
  • Literature — Shakespeare — Merchant of Venice
Object Number
1882.1.3

Artwork Description

“Is It So Nominated in the Bond?” is from Shakespeare’s Merchant of Venice, and was one of John Rogers’s most popular works. In the scene, Antonio has been called to trial against the moneylender Shylock, who is demanding a pound of flesh for nonpayment of a loan. Antonio’s friend Portia is dressed as a judge trying to bargain with Shylock. Upon the suggestion that a surgeon be present when the flesh is extracted, Shylock challenges, “Is it so nominated in the bond?” to which Portia replies, “It is not so express’d; but what of that? ‘Twere good you do so much for charity.”

Works by this artist (27 items)

John Rogers, Checkers up at the Farm, patented 1875, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.8
Checkers up at the Farm
Datepatented 1875
painted plaster
On view
John Rogers, Wounded to the Rear, One More Shot, patented 1865, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.6
Wounded to the Rear, One More Shot
Datepatented 1865
painted plaster
On view
John Rogers, The Wounded Scout, a Friend in the Swamp, patented 1864, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.5
The Wounded Scout, a Friend in the Swamp
Datepatented 1864
painted plaster
On view
John Rogers, The Council of War, modeled ca. 1873, painted plaster, Smithsonian American Art Museum, Museum purchase, 1967.114
The Council of War
Datemodeled ca. 1873
painted plaster
On view

More Artworks from the Collection

John Rogers, Coming to the Parson, patented 1870, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.9
Coming to the Parson
Datepatented 1870
painted plaster
Not on view
John Rogers, Checkers up at the Farm, patented 1875, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.8
Checkers up at the Farm
Datepatented 1875
painted plaster
On view
William Henry Rinehart, Henry White, ca. 1868, painted plaster, Smithsonian American Art Museum, Gift of the Peabody Institute, 1970.335.29
Henry White
Dateca. 1868
painted plaster
Not on view
John Rogers, Wounded to the Rear, One More Shot, patented 1865, painted plaster, Smithsonian American Art Museum, Gift of John Rogers and Son, 1882.1.6
Wounded to the Rear, One More Shot
Datepatented 1865
painted plaster
On view