To One End

Copied Rachel David, To One End, 2023, steel, brass, and bronze with selenite, patina, and wax, 96 × 106 × 24 in. (243.8 × 269.2 × 61.0 cm), Smithsonian American Art Museum, Gift of the James Renwick Alliance and museum purchase through the Windgate Foundation Living Artists Acquisitions Fund, 2024.16

Artwork Details

Title
To One End
Artist
Date
2023
Location
Not on view
Dimensions
96 × 106 × 24 in. (243.8 × 269.2 × 61.0 cm)
Credit Line
Gift of the James Renwick Alliance and museum purchase through the Windgate Foundation Living Artists Acquisitions Fund
Mediums Description
steel, brass, and bronze with selenite, patina, and wax
Classifications
Subjects
  • Object — furniture
Object Number
2024.16

Artwork Description

Rachel David created this piece as a response to Albert Paley’s Portal Gates, which were commissioned for the Renwick Gallery’s gift shop in 1974. David imagines her bench as another kind of portal, carrying the sitter to a dreamlike realm of expanded possibility amid mountains with perpetual cold-water streams. Mysterious wing motifs and gem adornments invite visitors to gather, reflect, and discover hidden truths.

 

Through metalwork pieces like this one, David aims to promote conversations about issues such as environmental degradation and systemic prejudice. Her forms—at once rigid and sensual—challenge expectations and social systems, including the traditionally male-dominated field of blacksmithing. David is also a community activist and one of the founding members of the Society of Inclusive Blacksmiths, which supports equity, diversity, and inclusion in the field.

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