Sucker Decoy

John Cross, Sucker Decoy, 20th century, carved, incised, and pyroengraved wood; tinned iron sheet; painted ferrous eye hook; lead weight; glass eyes and mouth, Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.4
John Cross, Sucker Decoy, 20th century, carved, incised, and pyroengraved wood; tinned iron sheet; painted ferrous eye hook; lead weight; glass eyes and mouth, 1 386 382 38 in. (3.516.36.0 cm), Smithsonian American Art Museum, Gift of Alastair B. Martin, 1999.67.4

Artwork Details

Title
Sucker Decoy
Artist
Date
20th century
Dimensions
1 386 382 38 in. (3.516.36.0 cm)
Credit Line
Gift of Alastair B. Martin
Mediums Description
carved, incised, and pyroengraved wood; tinned iron sheet; painted ferrous eye hook; lead weight; glass eyes and mouth
Classifications
Subjects
  • Animal — fish
Object Number
1999.67.4

Artwork Description

Carved fish decoys are one of the earliest forms of American folk art. Hunters around the Bering Sea first used small bone or ivory decoys for ice fishing around 1000 AD. They believed that the decoys embodied the innua, or inner spirit of the fish. The practice spread to upstate New York and the Great Lakes, where it became a tourist industry with many communities growing around prime fishing areas. Ice fishing was banned in 1905, however, because the popularity of the sport had brought about a serious decline in large game fish. During the Depression, many hunters and fishermen turned again to fish spearing for survival. The decoys from this period are simpler, focusing on realistic shapes, colors, and movement rather than fanciful decoration (Steven Michaan, American Fish Decoys, 2003).

Works by this artist (22 items)

Theodore J. Richardson, Russian Block House, Alaska, 1900, 1900, watercolor on paper, mounted on paperboard, Smithsonian American Art Museum, Gift of Mrs. Theodore J. Richardson, 1985.66.326,797
Russian Block House, Alaska, 1900
Date1900
watercolor on paper, mounted on paperboard
Not on view
Theodore J. Richardson, Drying Skins, Sitka, ca. 1880-1914, watercolor on paper, mounted on colored paper, Smithsonian American Art Museum, Gift of Mrs. Theodore J. Richardson, 1985.66.326,791
Drying Skins, Sitka
Dateca. 1880-1914
watercolor on paper, mounted on colored paper
Not on view
Theodore J. Richardson, Buildings Going to Ruin, Alaska, 1884, 1884, watercolor on paper, mounted on paperboard, Smithsonian American Art Museum, Gift of Mrs. Theodore J. Richardson, 1985.66.326,795
Buildings Going to Ruin, Alaska, 1884
Date1884
watercolor on paper, mounted on paperboard
Not on view
Theodore J. Richardson, Old Russian Trading Post, Sitka, ca. 1880-1914, watercolor on paper, Smithsonian American Art Museum, Gift of Mrs. Theodore J. Richardson, 1985.66.326,805
Old Russian Trading Post, Sitka
Dateca. 1880-1914
watercolor on paper
Not on view

More Artworks from the Collection

Fidelia Bridges, Untitled, 1876, watercolor on paper, Smithsonian American Art Museum, Given in memory of Charles Downing Lay and Laura Gill Lay by their children, 1967.7.6
Untitled
Date1876
watercolor on paper
Not on view
Henry Ossawa Tanner, Highlands, N.C., 1889, watercolor and pencil on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. Norman Robbins, 1983.95.26
Highlands, N.C.
Date1889
watercolor and pencil on paper
Not on view
Summer Morning
Daten.d.
watercolor
Not on view