They Say the Owl is a Baker’s Daughter” Ophelia

Joseph Cornell, "They Say the Owl is a Baker's Daughter" Ophelia, 1971, collage with ink and pencil on paperboard, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.335
Joseph Cornell, "They Say the Owl is a Baker's Daughter" Ophelia, 1971, collage with ink and pencil on paperboard, 12 in. x 9 18 in. (30.623.2 cm), Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.335

Artwork Details

Title
They Say the Owl is a Baker’s Daughter” Ophelia
Date
1971
Location
Not on view
Dimensions
12 in. x 9 18 in. (30.623.2 cm)
Credit Line
Gift of The Joseph and Robert Cornell Memorial Foundation
Mediums
Mediums Description
collage with ink and pencil on paperboard
Classifications
Subjects
  • Abstract
Object Number
1991.155.335

Artwork Description

Toward the end of his life, Joseph Cornell created deeply personal and enigmatic drawings reminiscent of Rorschach ink blots, which became very popular in the 1960s as psychological tests. Beginning with a suggestive drawing in ink on paper, the artist folded the paper so that the wet image transferred to the opposite half of the paper, forming a symmetrical image. He then embellished the drawing with lines or collage elements to create composition, suggested to him by the resulting forms.
Sometimes the image suggested an association from which Cornell derived a title for the work and sometimes he appears to have had a subject in mind before making the image. “They say the owl is a baker’s daughter” is one of Ophelia’s lines in Shakespeare’s Hamlet. It refers to a popular legend in which Christ transforms a baker’s daughter into an owl after she has denied him a piece of bread. The owl, also a symbol of night, death, and virginity, often appears in Cornell’s work.

Abstract Drawings, 2012

Works by this artist (731 items)

Joseph Cornell, Untitled (Juan Gris drawing), late 1960s, collage on masonite, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 2002.58.20
Untitled (Juan Gris drawing)
Datelate 1960s
collage on masonite
Not on view
Joseph Cornell, Untitled (Rorschach drawing), n.d., drawing, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.408
Untitled (Rorschach drawing)
Daten.d.
drawing
Not on view
Joseph Cornell, Untitled (white cockatoo and other birds), 1969-1971, collage, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.297
Untitled (white cockatoo and other birds)
Date1969-1971
collage
Not on view

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Mountains & Houses, Norway
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brush and ink and pencil on paper
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William H. Johnson, Standing Girl, ca. 1944, pen and ink and pencil on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.552
Standing Girl
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Charles Pollock, Jack (Jackson Pollock), 1935, pencil and brush and ink on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, Collection of Elizabeth Pollock, 1976.65.8, © 1935 Charles Pollock Archives
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Robert Birmelin, Wristwatch, 1971, ink, ink wash and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.5
Wristwatch
Date1971
ink, ink wash and pencil on paper
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