Untitled, from the series The Bitterroot River

Barbara Bosworth, Untitled, from the series The Bitterroot River, 1995-1997, gelatin silver print, Smithsonian American Art Museum, Gift of Haluk and Elisa Soykan, 2008.2.40, © 1995-1997, Barbara Bosworth
Barbara Bosworth, Untitled, from the series The Bitterroot River, 1995-1997, gelatin silver print, 7 589 58 in. (19.424.4 cm), Smithsonian American Art Museum, Gift of Haluk and Elisa Soykan, 2008.2.40, © 1995-1997, Barbara Bosworth

Artwork Details

Title
Untitled, from the series The Bitterroot River
Date
1995-1997
Location
Not on view
Dimensions
7 589 58 in. (19.424.4 cm)
Copyright
© 1995-1997, Barbara Bosworth
Credit Line
Gift of Haluk and Elisa Soykan
Mediums Description
gelatin silver print
Classifications
Subjects
  • Object — written matter — book
Object Number
2008.2.40

Artwork Description

The photographs in this series reflect on the intense connection our memory can form between people and place. Drawn from more than one hundred images made along Montana's Bitterroot River in the years following the death of a loved one, Bosworth later assembled them to create this narrative sequence. The solemn tone of the images speaks of resignation and vulnerability as currents and eddies slip along the river surface from one frame to the next only to disappear. But there is also affirmation and hope to be found in these graceful gestures—the arc of a young tree reaching across the river or a fish offered in outstretched hands—and reassurance in the continually renewing surface of the river: "I wanted to hold on to all the life that remained around me, and by securing my world in a photograph I convinced myself it could not totally be taken away."

Earth and Sky: Photographs by Barbara Bosworth exhibition label

Works by this artist (97 items)

Reginald Marsh, Locomotives, Jersey City, 1934, oil on canvas mounted on fiberboard, Smithsonian American Art Museum, Bequest of Felicia Meyer Marsh, 1979.127.1
Locomotives, Jersey City
Date1934
oil on canvas mounted on fiberboard
On view
Reginald Marsh, Untitled, watercolor and pencil on paper, Smithsonian American Art Museum, 1979.127.4
Untitled
watercolor and pencil on paper
Not on view
Reginald Marsh, Untitled, from the portfolio Photographs of New York, ca. 1938-1945, printed 1976, gelatin silver print, Smithsonian American Art Museum, Gift of Dr. Katherine Alley and Dr. Richard Flax, 1982.115.3
Untitled, from the portfolio Photographs of New York
Dateca. 1938-1945, printed 1976
gelatin silver print
Not on view
Reginald Marsh, Atlantic Liner in Harbor with Tugs (mural study, U.S. Customs House, New York, New York), 1937, tempera on fiberboard, Smithsonian American Art Museum, Transfer from the U.S. Department of the Interior, National Park Service, 1965.18.103
Atlantic Liner in Harbor with Tugs (mural study, U.S…
Date1937
tempera on fiberboard
Not on view

More Artworks from the Collection

Paul Cadmus, Aspects of Suburban Life: Public Dock, 1936, oil and tempera on fiberboard, Smithsonian American Art Museum, Transfer from the U.S. Department of State, 1978.76.2
Aspects of Suburban Life: Public Dock
Date1936
oil and tempera on fiberboard
Not on view
John R. Ballator, Building St. John's (study for St. John's, Oregon, Post Office Mural), 1935, tempera and oil on fiberboard, Smithsonian American Art Museum, Transfer from the General Services Administration, 1982.86.1
Building St. John’s (study for St. John’s, Oregon, Post…
Date1935
tempera and oil on fiberboard
Not on view
Gerald McLaughlin, "Act as if the whole election depended on your single vote, and as if the whole Parliament (and therein the whole nation) on that single person whom you now choose to be a member of it." John Wesley from A word to a Freeholder, 1748. From the series Great Ideas., 1956, tempera and oil on fiberboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.198
Act as if the whole election depended on your single vote,…
Date1956
tempera and oil on fiberboard
Not on view
Carl Newman, Spirit of Christmas, ca. 1915-1920, oil and tempera on fiberboard, Smithsonian American Art Museum, Gift of Anna McCleery Newton, 1971.88
Spirit of Christmas
Dateca. 1915-1920
oil and tempera on fiberboard
Not on view