Sculptor Isamu Noguchi (1904–1988) made works that “speak of both the modern and the ancient in the same breath.” An essay by Dakin Hart traces themes in Noguchi’s sixty-year career—an expansive vision that ranged from landscape art to garden and playground designs, from sculptures featuring plan

Painter, photographer, and printmaker Yasuo Kuniyoshi immigrated to the United States from Japan in 1906 and began a journey through New York City, Europe, and Japan that forged his unique painting style.

The year was 1830, and the American West was entering a phase of rapid transformation. Passage of the Indian Removal Act commenced the twelve-year migration of American Indians from lands east of the Mississippi River.

Earl Cunningham (1893–1977) was one of the premier folk artists of the twentieth century. Earl Cunningham’s America presents Cunningham as a folk modernist who used the flat space and brilliant color typical of Matisse and Van Gogh to create sophisticated compositions.

Over a period of fifty years, William T. Wiley has distinguished himself by creating an extensive body of work that challenges the precepts of mainstream art.