The Marchbanks Calendar: December by Harry Cimino

Media - 1969.31.12 - SAAM-1969.31.12_1 - 3380
Harry Cimino, The Marchbanks Calendar--December, n.d., color woodcut, Smithsonian American Art Museum, Gift of Charlotte Manzari, 1969.31.12
December 18, 2008

We've just turned the last page on this year's calendar and it's time to count down the days remaining in 2008. To take a good look at the last month of the year, I've chosen December from Harry Cimino's Marchbanks Calendar. The artist was born in Indiana in 1898 and died in New York in 1969. Not the longest life on record but certainly one that saw its share of changes, beginning while Queen Victoria was still in power, and ending when men were putting their footprints on the moon. Somewhere in between (as this woodcut is undated), Cimino crafted this image. From what I can gather, the work was likely done in the 1920s.

For me, it has that Currier and Ives feel of Americana deepened by the artist's choice of color. The red is vital to the sky and the church windows, while the gray-blue of the horse and riders carries most of the action (though the horse's hind legs seem to be lacking a certain rhythm). I like the woosh of the woman's scarf and the almost opposite effect of the man's blanket, which seems to be melting into the snow.

Cimino produced a calendar for the Marchbanks Company, and many of the illustrations are in American Art's collection. I hope we can look at more because they create miniature worlds that capture a time and place. Cimino also created woodcuts for book illustrations that also endear . . . and endure.

 

Recent Posts

Side-by-side black and white photographs of T.C. Cannon (left) and Fritz Scholder (right).
Two artists coming together as teacher and student as part of the "New Indian Art" movement.
SAAM
Person leaning toward a vase in a plexiglass covered case in a museum gallery, other artworks fill the space in the distance.
The artist builds futuristic worlds and characters he pairs with his traditionally sourced and formed pots, where knowledge of the past provides guidance for future generations.
SAAM
Three paintings on a light blue background.
A new exhibition that restores three American women of Japanese descent to their rightful place in the story of modernism 
SAAM