Picture This: Statue Conservation

Hugh Shockey conserving John Rogers artwork
SAAM Staff
Blog Editor
September 11, 2006

 

SAAM conservator Hugh Shockey has been hard at work conserving John Rogers' Taking the Oath and Drawing Rations.  The piece, dating from the 1860s, had been touched up many years ago in an undated conservation.  The unknown conservator didn't take the time to build a layer of fill so that the newer paint was at the same level as the original.  Here, Hugh is carefully removing the newer paint to show the plaster (or possibly terracotta) surface beneath. 

Close-up of conservation of John Rogers' artwork

You can see the surface with the uneven paint (left), and in the midst of the conservation with the newer paint removed (right). Later in the process, he'll use fill and inpainting (the introduction of new paint in areas of loss in order to restore the surface continuity) to bring the piece back to its original appearance. When the conservation is complete, the piece will go on display in SAAM's second floor galleries.

On your next visit stop by the Lunder Conservation Center where you can see Hugh and other conservators caring for works in our collection.

Cassandra Good co-wrote to this post.

 

Categories

Recent Posts

An art conservator holds a vacuum nozzle on a piece of artwork.
A peek into the world of conservation and the meticulous care of James Hampton’s The Throne of the Third Heaven of the Nations Millennium General Assembly.
Anna Nielsen
Eliza Macdonald
Katya Zinsli
Detail of illustrated portrait of Emma Amos.
04/26/2024
Painter, printmaker, and textile artist Emma Amos created colorful multi-media works that explore themes of identity.
Detail of Phoebe Kline. She is sitting in front of orchids and smiling.
Docent Phoebe Kline began at SAAM in 1974 and she's still going strong.