Button

Cashion Callaway, Button, n.d., original design 1974, pierced, soldered, oxidized and buffed silver, Smithsonian American Art Museum, Museum purchase, 1975.147.1
Cashion Callaway, Button, n.d., original design 1974, pierced, soldered, oxidized and buffed silver, 78 in. (2.3 cm.) diam., Smithsonian American Art Museum, Museum purchase, 1975.147.1

Artwork Details

Title
Button
Date
n.d., original design 1974
Location
Not on view
Dimensions
78 in. (2.3 cm.) diam.
Credit Line
Museum purchase
Mediums
Mediums Description
pierced, soldered, oxidized and buffed silver
Classifications
Subjects
  • Animal — reptile — lizard
Object Number
1975.147.1

Artwork Description

This set of six buttons shows Cashion Callaway’s interest in Native American art and archaeology. Lizards are native creatures in the deserts of the Southwest, where Callaway conducts many of her archaeological excavations. The reptiles also appear in the petroglyphs at Lizard Cave in Southern California and in other ancient artifacts. The lizard is greatly respected in many southwestern cultures. Navajo stories, for example, emphasize the lizard’s perseverance and ability to keep ancient secrets.

Works by this artist (42 items)

Ross Moffett, Divine, Serpentine and Feldspar, 1941, monotype on paper, Smithsonian American Art Museum, Gift of Josephine and Salvatore Del Deo, 1983.18.21
Divine, Serpentine and Feldspar
Date1941
monotype on paper
Not on view
Ross Moffett, Truro Shore, ca. 1941, monotype on paper, Smithsonian American Art Museum, Gift of Josephine and Salvatore Del Deo, 1983.18.29
Truro Shore
Dateca. 1941
monotype on paper
Not on view
Ross Moffett, Woman Gathering Beach Plums, 1948, monotype on paper, Smithsonian American Art Museum, Gift of Josephine and Salvatore Del Deo, 1983.18.35
Woman Gathering Beach Plums
Date1948
monotype on paper
Not on view
Ross Moffett, Abandoned Farm House, 1930, monotype on paper, Smithsonian American Art Museum, Gift of Josephine and Salvatore Del Deo, 1983.18.12
Abandoned Farm House
Date1930
monotype on paper
Not on view

More Artworks from the Collection

James Kearns, Model, 1973, charcoal, crayon, and pastel on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.31
Model
Date1973
charcoal, crayon, and pastel on paper
Not on view
Joan Westermann, Cathedral, Guatemala, 1947, charcoal and pastel on paper, Smithsonian American Art Museum, Gift of Kris Steiner-Jensen, 1992.97
Cathedral, Guatemala
Date1947
charcoal and pastel on paper
Not on view
Violet Oakley, The Heavenly Host (composition study for left mural, All Angels Church, New York), ca. 1900-1903, charcoal, pastel, and paint on paper, Smithsonian American Art Museum, Museum purchase through the Robert Tyler Davis Memorial Fund, 1980.74.1
The Heavenly Host (composition study for left mural, All…
Dateca. 1900-1903
charcoal, pastel, and paint on paper
Not on view