The Pilgrim of the World at the End of His Journey (study for the series, The Cross and the World)

Thomas Cole, The Pilgrim of the World at the End of His Journey (study for the series, The Cross and the World), ca. 1847, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1988.1
Thomas Cole, The Pilgrim of the World at the End of His Journey (study for the series, The Cross and the World), ca. 1847, oil on canvas, 1218 in. (30.545.7 cm.), Smithsonian American Art Museum, Museum purchase, 1988.1
Free to use

Artwork Details

Title
The Pilgrim of the World at the End of His Journey (study for the series, The Cross and the World)
Artist
Date
ca. 1847
Dimensions
1218 in. (30.545.7 cm.)
Credit Line
Museum purchase
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Landscape — time — night
  • Figure male
  • Architecture Exterior — religious — temple
  • Architecture Exterior — ruins
  • Allegory — life — old age
  • Landscape — canyon
  • Figure — fragment — skull
Object Number
1988.1

Artwork Description

Thomas Cole died before he was able to complete his final group of paintings, titled The Cross and the World. In the beginning of the series, two young men each begin a pilgrimage---one to the cross and the other through the world. The route to the cross is mountainous and difficult, while the pathway through the world tempts with a beautiful valley. By the end of their journeys, the pilgrim of the cross discovers the bright light and angels of redemption, but the pilgrim of the world finds only a wasteland of emptiness and fear. Cole used very little color in these paintings to emphasize the vivid contrast between the glorious light of God and the dark confusion of a world without faith.

Works by this artist (2 items)

Philippe Abraham Peticolas, Mrs. Cornelius Baldwin (Mary Briscoe), 1797, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1943.3.2
Mrs. Cornelius Baldwin (Mary Briscoe)
Date1797
watercolor on ivory
Not on view
Philippe Abraham Peticolas, Mrs. George Willig, 1804, watercolor on ivory, Smithsonian American Art Museum, Museum purchase through the Catherine Walden Myer Fund, 1959.9.2
Mrs. George Willig
Date1804
watercolor on ivory
Not on view

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Saint Louis Symphony Orchestra
Date1973
color lithograph poster
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Benson B. Moore, The Gulf of Sarasota, 1953, photomechanical reproduction, Smithsonian American Art Museum, Gift of Sade C. Styron, 1970.172
The Gulf of Sarasota
Date1953
photomechanical reproduction
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