Artist

Jimmy Ernst

born Cologne, Germany 1920-died New York City 1984
Media - portrait_image_113196.jpg - 90131
Courtesy Archives of American Art, Smithsonian Institution.
Born
Cologne, Germany
Died
New York, New York, United States
Active in
  • East Hampton, New York, United States
Biography

The son of Surrealist Max Ernst, Jimmy Ernst attended several European craft schools and served an apprenticeship in printing and typography before immigrating to the United States in 1938. He worked in advertising agencies and art galleries for several years, and not until age twenty did he decide to become a painter. Ernst's early canvases were tinged with Surrealism, and his first solo show featured organic abstractions. His interpretations of jazz themes during the 1940s, in which discrete color areas were used to approximate syncopation and rhythm, yielded in the 1950s to experiments with line that determined his future directions. In his mature work, Ernst used complex inter-locking webs of line to manipulate pictorial space and to create architectonic structures. Always abstract, his later paintings possess the spatial quality of panoramic cityscapes.

Virginia M. Mecklenburg Modern American Realism: The Sara Roby Foundation Collection (Washington, D.C.: Smithsonian Institution Press for the National Museum of American Art, 1987)

Works by this artist (8 items)

John Cage, Not Wanting to Say Anything about Marcel, Lithograph A, 1969, color lithograph on paper, Smithsonian American Art Museum, Museum purchase, 1972.96
Not Wanting to Say Anything about Marcel, Lithograph A
Date1969
color lithograph on paper
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Seven, 1978, color etching with hard ground etching, drypoint, sugar aquatint, photo etching, and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.7
Seven Day Diary (Not Knowing), Day Seven
Date1978
color etching with hard ground etching, drypoint, sugar aquatint, photo etching, and found objects
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Five, 1978, hard and soft ground etching, drypoint, sugar aquatint, photo etching, and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.5
Seven Day Diary (Not Knowing), Day Five
Date1978
hard and soft ground etching, drypoint, sugar aquatint, photo etching, and found objects
Not on view
John Cage, Seven Day Diary (Not Knowing), Day Six, 1978, color etching with hard and soft ground etching, drypoint, sugar aquatint, photo etching and found objects, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.5.6
Seven Day Diary (Not Knowing), Day Six
Date1978
color etching with hard and soft ground etching, drypoint, sugar aquatint, photo etching and found objects
Not on view